Yam Tat-wah was stabbed. Who should guarantee the safety of the star?

Special feature of 1905 film network "peace,Thank you all. "

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On July 22nd, Yam Tat-wah, an artist, made her first voice in Weibo after being stabbed for attending a commercial activity in Guangzhou Zhongshan Torch Development Zone. Reality is more magical than the script. No one ever thought that an ordinary business activity three days ago made the artist who was over 60 years old face the worry of his life.


After the incident, Weibo’s topic # Yam Tat-wah was attacked # has reached 2.3 billion, with 393,000 discussions. The personal safety of artists, the responsibility of mental patients and the mistakes of on-site security have become the focus of people’s topics.

 

According to Beijing Daily and other media reports, on July 22nd, Huo Wenxi, a senior manager of his brokerage company, King Entertainment, visited the hospital at noon, and announced that Yam Tat-wah’s condition was getting better now, and decided not to pursue the perpetrator after learning that he was suffering from mental illness. This matter may come to an end, but the sword of Damocles on the artist’s personal safety is still hanging high.

 

Whether the crew is filming, holding concerts, or taking part in roadshows, Shang Yan and other activities, artists’ safety problems often occur. From the early days when Ham and Selina were burned while filming TV series, to the injuries caused by falling off a horse while filming in Andy Lau, and then to the stabbing incident in Yam Tat-wah, such accidents never stopped.


Andy Lau fell off his horse because of work.


In which workplaces are artists vulnerable to personal safety threats, and which factors pose the greatest threat to them?

 

In this regard, Xiao Dianjun interviewed event companies, security companies, artist brokers, insurance companies and other related personnel. Through combing, it is not difficult to find that in the four most common workplaces where artists appear,The personal safety level from high to low is crew > concert > roadshow > Shang Yan..


The biggest threat to the personal safety of artists may come from the crazy stalking fan and the scalper party with chaotic rhythm.

 

Yam Tat-wah was stabbed, whose fault was it?

 

On the morning of July 20th, a video of Yam Tat-wah being stabbed in a business activity went viral on the Internet, causing a tsunami of public opinion. Ten hours later, the official Weibo of Zhongshan Public Security Bureau issued a briefing.

 

According to the report, after diagnosis by the Development Zone Hospital, Mr. Yam Tat-wah had a wound on his right abdomen with a width of 2 cm and a depth of 3 cm, and his organs were not injured. After treatment by the hospital, he was not life-threatening and the injury was stable. The psychiatrists of the Third People’s Hospital of Zhongshan City conducted mental examination and preliminary medical diagnosis on the suspect, and it was found that Chen Mou had mental disorder (paranoid schizophrenia, commonly known as "paranoia").


At present, the details of the case are still under investigation.

 

"How did you bring the knife in, how did you bring it to the stage, and what was the security guard doing?" "There are so many people at the scene, why don’t you stab others if they have mental problems?" … … Accompanied by the notification, many netizens asked questions.

 

"I watched this video and I was shocked." Zhao Ran (a pseudonym), the vice president of a security service company in Beijing who is mainly responsible for large-scale security activities, has six years’ experience. When talking about this matter, he still reveals an incredible tone.

 

In her view, there are two obvious mistakes made by on-site security personnel:First of all, the security response is too slow. When Yam Tat-wah was stabbed for the first time, the security should immediately come forward to control; Secondly, the short knife was brought to the scene and there was a loophole in the security check..


"Have you ever found that when this man came to power, he made a fake gesture of shaking hands? Just before Yam Tat-wah shook hands with him, he stabbed each other with a knife from his pocket. I think this shows that he was awake at that time, and he knew what he had to do to get to Yam Tat-wah more accurately. " Zhao Ran has his own judgment on the mental state of the criminal suspect when committing a crime.

 

"According to the provisions of the criminal law, a mental patient who causes harmful results when he can’t identify or control his behavior and is confirmed by legal procedures shall not bear criminal responsibility; If you commit a crime when you are mentally normal, you still have to bear criminal responsibility. Therefore, it depends on the mental state of the actor at that time, but the suspect of civil liability must bear it. " Lawyer Tao Yonghong of a law firm in Beijing told Xiao Dianjun.

 

In addition, he also believes that "the organizer has the obligation of security in the event. From this incident, it can be seen that the organizer has loopholes in security and should bear corresponding responsibilities. The security company shall bear the corresponding responsibilities in accordance with the terms of the contract. "

 

From this point of view, regardless of whether Yam Tat-wah investigated the criminal suspect’s responsibility. The organizers of this event and the security personnel at the scene have an unshirkable responsibility for the stabbing of Yam Tat-wah.

 

Personal Safety Levels of Artists in Four Scenes

Cast > Concert > Roadshow > Shang Yan

 

As the People’s Daily official Wei said, "A sharp knife stabbed Yam Tat-wah and also stabbed the public’s worries." In which work scenes are public figures such as artists vulnerable to personal safety threats?

 

Filming, concerts, roadshows and Shang Yan are the main sources of artists’ income, and it is easiest for ordinary audiences to see the true meaning of love beans in the above four scenes. In the high-frequency work scene, it is undoubtedly of practical significance to discuss the personal safety threat of artists.

 

First of all, when filming, in order to ensure that the plot content will not be leaked, artists basically do not contact with the outside world except for media visits and location shooting. In the acquaintance environment, the threat to the personal safety of artists mainly comes from filming itself.

 

In terms of shooting, when there is an action scene with high risk factor, it will be completed by a professional body double. When shooting other explosion scenes, it is generally operated by professionals, so the probability of danger is relatively small, and it is the safest among the four.

 

In the remaining three scenes, the artist’s personal bodyguard, the security forces arranged by the activists and the public security police constitute the three security walls on the scene. No matter how many cities, according to the relevant laws and regulations, concerts need to be reported to the public security organs. After approval, there will be public security forces to maintain the order of activities on the spot.


Jacky Cheung concert


In recent years, there is a saying on the Internet that Jacky Cheung is a criminal nemesis. Because in its past concerts, criminals have been caught seven times. This also shows from the side that the participation of public security forces makes the safety work of the concert more rigorous.

 

In terms of roadshows and Shang Yan, first-tier cities such as Beishangguangshen and Shenzhen are different from other cities. This also means that roadshows and Shang Yan in small cities may only be composed of the artists’ bodyguards (if any) and the security forces at the scene.

 

 "Beijing, Wuhan, Shanghai and other places are still relatively strict. If the number of such activities exceeds a certain number, the public security organs are not allowed to enter again, not only to ensure the safety of the audience, but also to ensure the safety of artists." Fang Qifeng, vice president of Power Media, who has held roadshows for films such as TV and TV, said so.

 

According to its introduction, in their roadshow activities, the first-line artists will each be equipped with four bodyguards, requiring security personnel to hold security certificates, with a height of more than 180 cm, while other artists will use general security. Generally, there are 4 stickers for a campus roadshow, and 20 male students are used for security in the venue.

 

In campus roadshows, due to the high quality of students in general, there are few unexpected situations in past roadshows. The only time there was a situation, He Jiong was chased by enthusiastic students in a campus flash mob. Because of the better route planning, he quickly got on the bus and left safely.

 

"The most troublesome thing is the activities in the business district or square. There are many people and the personnel composition is complicated, which is difficult to control." Years of practical experience have made Fang Qifeng feel deeply.


Li Xian, the male host of "Dear, Loving", has become the "current boyfriend" in the hearts of countless drama-chasing girls. On July 19th, in order to further increase the popularity of TV series, a fan meeting was held in a shopping mall in Tianjin. Because the number of people on the scene exceeded the safe range, the event was forced to cancel.


The meeting between Andy and Li Xian was cancelled due to security problems.


It is self-evident that Shang Yan conducted in this environment poses a potential threat to the personal safety of artists. On the whole, among the four scenes with the highest frequency of artists, the security levels from low to high are Shang Yan, roadshows, concerts and crews in squares with large traffic or shopping malls.

 

Stalking fan and scalpers are the biggest personal safety threats to artists.

 

"The security ratio of ordinary activities can be controlled at 3% to 5%, that is, when there are 100 spectators, the security configuration is 3 to 5 people, but it depends on the actual situation. How can traffic artists come safely?" This is a summary of Zhao Ran’s years of work experience.

 

In concerts and other activities with important influence or the participation of artists, in addition to the guarantee of artists, the security of fixed positions in the venue and the public security forces, when the activities involve the government, the armed police and the security bureau will also participate.


"There are many fans who are irrational and crazy. Security is generally a boy. No matter whether you touch her or not, she will frame you for sexual harassment, and then all kinds of rogues, alarms and crying. The ultimate goal is to let me in and I will ignore it." In her opinion, crazy fans are the most threatening to the personal safety of artists attending various activities.

 

The same is true. The crazy behavior of fans in idolize has caused psychological or physical harm to artists.In 2013, while promoting the film, a naked male fan suddenly jumped on Cecilia Han. In 2016, when Liu Yifei held a meeting for film promotion, he was tackled by a crazy male fan. In the same year, Lu Han met stalking fan who followed the car and didn’t follow the car, which almost caused a car accident.


Liu Yifei was thrown down by fans while promoting the film.


"There were times when fans were out of control, but fortunately, they were not accidentally hurt because the staff closely protected the artists." Meimei (pseudonym), who has many years of experience as a film and television artist agent, said this when recalling past experiences. Lele (a pseudonym), who used to be the agent of an action star in China, also encountered the same problem. From a certain point of view, when danger comes, it is more likely that brokers and other related staff will rush out to protect artists first.

 

In addition, the chaotic scalper party is also a big threat to the personal safety of stars. At the concert and other scenes, the security company will also divide some security forces to deal with scalpers.

 

"Because of our strict inspection, the fake tickets and fake certificates they sell can’t get in, so they will make trouble with their fans and make a fuss." The chaotic scalper party, while attracting the attention of security personnel, will certainly reduce the number of security personnel who maintain the personal safety of artists.


Concert security


The existence of "black security" also poses a certain threat to the artist. It is reported that security companies are managed by public security organs, and they are divided into one, two and three levels according to their qualifications. An unqualified security company is "black security". The security industry has a special qualification certificate called security certificate, and people with criminal record can’t take the exam.

 

For activity companies, when looking for security companies, the lack of professional docking will also leave hidden dangers for activities. Some activity companies admit that after cooperating with a number of security companies, they can determine which one is more formal, safe and secure.

 

How can artists avoid personal safety risks in advance?

 

With the continuous sinking of the performance market, it is normal for many artists to go deep into the third-and fourth-tier cities to seek gold.

 

"When undertaking activities, including film promotion, we must choose venues with high safety factors, and remote places can pick them up, but we must carefully weigh the rights and interests in advance, because remote areas cannot save the occurrence of zero hidden dangers." In the face of how to weigh income and personal safety, agent Meimei gave her own judgment standard.

 

According to its introduction, when an artist needs to attend the event site, the agent or staff will check the security issues with the activity party in advance and allocate appropriate police personnel according to the size of the venue. In the process of taking the show and Shang Yan, insurance is an essential part of contract negotiation.

 

"Organizers generally insure accident insurance for stars, which is mainly used for accident compensation and reimbursement of unexpected medical expenses. However, the general insurance coverage is limited, usually several million or 120 million, which may conform to the provisions of the contract between the two parties, but may not be worthy of the star’s worth. Therefore, it is best for stars to have their own insurance all the year round. "Li Yanpeng, senior director of Mingya Insurance, told Xiao Dianjun.


Backstage security of performing arts activities


When artists attend Shang Yan and concerts, the most common insurances purchased by the organizers are group accident insurance and public liability insurance. In Yam Tat-wah’s assassination, if the organizer buys the above insurance, the group accident insurance is most likely to take effect. In the past accidents, Ham’s burns while filming were covered by the crew insurance, while Jolin Tsai’s concert stage collapse was covered by the group accident insurance.


In addition, he also said that when artists sign contracts with Shang Yan, they should not only pay attention to insurance matters, but also pay attention to the security configuration at the scene and whether there is an emergency rescue plan.


Security during Yam Tat-wah’s hospitalization.


In the video of Yam Tat-wah’s assassination, it can be seen that the organizer lacks sufficient emergency plan. In terms of how to go and which hospital to go to, the injured need to ask themselves.


After this incident, in a short period of time, artists will definitely raise their awareness of safety when attending Shang Yan, concerts and filming. In a longer period of time, no one can predict whether the next "Yam Tat-wah" will appear.


Are we ready to enter the communication era from the information age?

Abstract: Human society is entering a new era from the information age — — The era of communication. The multiple attributes of communication are constantly evolving, and have gone through the development stages of transmission, interaction, exchange and social construction. In the era of communication, for the first time in history, people are not only the existence of bodies, but also the existence of numbers; At the same time, the ecology of public opinion, the pattern of media and the mode of communication have undergone profound changes. We should objectively, comprehensively and rationally understand and understand the law of communication in the communication era, actively undertake the new obligations and responsibilities entrusted by the new era, and strive to build a healthy, pluralistic, equal and orderly communication field and environment suitable for the communication era, so that the biggest variable of new media can become the biggest increment to promote social development.

Keywords: information age, communication effect, mainstream media, social media

【 Chinese Library Classification Number 】 G206 【 Document Identification Code 】 a

【DOI】10.16619/j.cnki.rmltxsqy.2021.09.011

Hong Junhao, Distinguished Professor of School of Journalism and Communication, Shanghai University, Professor of Communication Department, new york State University, USA, and researcher at Fei Zhengqing Center, Harvard University. His research interests are communication theory and research methods, international communication and international politics, media and social development, and the impact of new communication technologies on society. The main Chinese works are New Trends in Communication (up and down) (editor-in-chief), Communication (editor-in-chief), Interpretation of the New Trends of American Government Media in the Post-Cold War Period (paper) and Necessity, Urgency and Challenge of International Communication of Chinese Culture (paper).

Inadvertently, it seems that quietly and unconsciously, we are experiencing an extremely important change and an era transition: we are entering a new era. In recent years, many scholars at home and abroad have suggested that human society is undergoing a great change, that is, from the "information age" to a new era — — "the age of communication" These two times are closely related and have a lot in common, and they are two inseparable times; At the same time, they also have very distinct differences. These differences describe the essential characteristics of two different eras.

Theoretical definition of information age

From the 1960s to the 1970s, some sociologists in the United States put forward theoretical views on the information age, arguing that a new economic and social paradigm is emerging in some developed countries, and its formation is mainly based on the development of information industry and related service industries (Feenberg, 2019). These theories point out that in the information age, information and knowledge spread rapidly with the continuous development of technology, and the emergence of the Internet enables most people around the world to obtain and use information and knowledge anytime and anywhere. More importantly, advanced information technology is progressing and updating all the time (Coleman & Ganong, 2014). Although there have been different opinions and debates on the relevant theories of the information age, the theory of the information age has had a great impact on predicting and planning the development direction of human society.

The opening of the Internet has enabled hundreds of millions of ordinary people to enter the information age, which has opened a truly global information age. Based on various types of political participation and discussion in e-mail, online forums and blogs, computers leave engineers’ desks and enter ordinary people’s daily lives, changing from simple information communication technology to social communication media. From this point of view, hundreds of millions of ordinary users have changed the nature of computer networks and affected the development direction of this technology. This change has profound theoretical and social significance.

The arrival of the information age benefits from the evolution and development of computer miniaturization. This period began with the advent of personal computers in the late 1970s, until the Internet was adopted by most people in the 1990s. Information technology has changed people’s daily life, education and life system, and the modernization process of human society is further accelerated based on global communication and network development, so the information society is regarded as one of the important symbols of modern society. At the same time, information technology has also become an important reason to make the organizational structure and management of human society more orderly.

The term "information technology" covers many fields related to computer technology in the past decades. In the "information age", a new stage of the development of human society, it is difficult to find a field or industry that has not been widely influenced by information technology. The Internet is a decisive technology in the information age, and the great changes it brings make the whole human society closely linked through the Internet. From a technical point of view, the internet connects computers together; Theoretically, the Internet connects the whole world, the political, economic and cultural fields of all countries, and people living in all corners of the world. In the 1990s, the overall popularity of the Internet and the great changes caused by the rapid development of Internet technology made it a universal and common reality for people all over the world to share information (Negroponte, 1995; Castells, 2019)。

Theoretical definition of communication age

The successor of the information age and its next paradigm is the communication age. If the representative features of the information age are "information" and "information/informing", then the representative features of the communication age are "communication", "communication/communicating" communication ". The word communication comes from the Latin prefix co- (meaning "with" or "together") and the root munia (meaning "sharing", "giving" or "serving"). Therefore, the formation of communication needs the participation of others, and it is a collective activity in which people jointly create and share meaning. Although we sometimes say "I spread" or "you spread", in fact, communication cannot be done by individuals alone, but it must be done by people together. For example, reciting by yourself is not communication, but speaking to others is communication. This is the truth. Communication is a collaborative process of using information to create and participate in social reality, our individual identity, the relationship, organization, community, and the exchange and communication of culture and ideas.It is all accomplished and realized through communication. These aspects are all important parts of social reality, or a series of social judgments recognized by group members.

There are complex and significant differences between informing and communicating. One of the most important differences is that informing is one-way and static; Communicating is two-way and dynamic, which usually leads to interaction. The main form of information communication and communication technology in the communication era is social media, and the main function of social media is communication. Social media brings communication, interaction, dialogue and joint participation, which is completely different from the communication mode mainly based on one-way notification. In the era of communication, media and technology are integrated into all fields of society and people’s lives. Communication travels through time and space in a pluralistic background, and information is transmitted, exchanged, communicated and interacted through new media technologies in virtual or real scenes.

Although the broad audience groups are at different ages, almost all of them have entered the communication era from the information age at the same time. The generation born from 1930s to 1950s, the millennial generation born at the beginning of this century, and the generation born later than them have all been deeply influenced by the change of communication mode. People are not only related to each other through the Internet, but also interact through various social media, and everyone is spreading and being spread. In the information age, people have known the Internet technology, but they have not made more connections through this connection. In the era of communication, people connect, participate and interact, which makes the whole human society become an integrated and endless communication field. This new concept regards virtual space and communication technology as places and ways for people to develop, maintain and promote their association and interaction with others. It not only involves the traditional concept based on the principle of face-to-face communication, but also promotes the latest development of the concept of media communication.

The "communication" in the communication era highlights three key components: "connecting", "engaging" and "interacting". The interpretation of these three components has formed a more contemporary and relevant communication concept on the basis of the traditional principles of communication. On the one hand, with the continuous integration of technology, media and communication, communication has penetrated into the daily lives of hundreds of millions of people; On the other hand, the rapid increase of social media and social networking sites based on mobile computing technology has greatly increased the convenience of people’s non-face-to-face communication, and the resulting complexity also makes people urgently need better communication skills and stronger, independent and critical (more accurately means "critical" in Chinese) thinking and judgment.

Fundamentally speaking, communication is dual, which includes "creation" and "participation". The ancient Greeks called these two functions of communication poiesis (creation) and praxis (action). In the past, most scholars paid more attention to communication practice, or paid more attention to how to use communication as a tool to accomplish specific tasks. But in recent years, the poiesis attribute of communication has begun to get more attention. Recognizing that communication can produce new social reality is of great significance to how to spread and how to judge the influence and social role of communication.

For communication, connection is fundamental, and the current connection mode has also changed greatly. Face-to-face communication and media communication were once regarded as two completely different and independent behavior modes; Now, they are closely related. In essence, the whole process of communication is about connection and participation. Connection means that communication can connect us with others, groups, communities, social institutions and cultures. The mobility of modern information technology makes it easier for people to connect than ever before. No matter day or night, people can get in touch with almost anyone who needs it, and they can get news and information from all over the world by tapping a few keyboards or touching a tablet computer. In this connection, communication is regarded as the core of the process of creating and participating in social reality. People spread in the dynamic and complex system of personal and social relations, and everyone is more related to others than ever before. However, connection itself is not enough to fully reflect the potential of communication in changing people’s respective identities, relationships, communities and social reality. Communication must also have participation and interaction. Simply "connecting" to the Internet or social networking sites can not fully realize people’s desired communication will and purpose, but must "integrate" with each other and achieve participation. The era of communication is an era in which communication, technology and media are integrated, and it is an era in which "integration" permeates the daily lives of hundreds of millions of people.This kind of integration refers to the way in which many forms of media communication and face-to-face communication overlap and intersect in people’s daily life. This unprecedented degree of integration not only affects the question of "what we do" but also affects the question of "who we are". For the first time in history, people are no longer just a physical existence, but also a digital existence in the new communication technology: people maintain the existence of physical reality and network virtual dual space at the same time, and the accessible boundaries and influence of individuals on the world far exceed the physical space they occupy. From the digital point of view, individuals can travel through vast time and space. One of the most important effects of communication integration is that it greatly increases our chances of connecting with others, both in quantity and type. However, while releasing great potential, integration also brings new challenges. When we use technology, media and communication to communicate, a large amount of information may distract our focus and blur the focus of communication, which to some extent makes the effect of communication difficult to last. Relevant research results show that the hot spot effect of communication usually lasts only seven days, or only less than two or three days or even shorter.

In the era of communication, communication, technology and media will fully penetrate into almost everyone’s daily life. Older people are called "digital immigrants" (people who learn and use digital technology in their later lives). They have witnessed the process of the increasing popularity of digital information technology in daily life: no matter what you do or where you go, you can’t do without digital information technology, media and communication. The "digital protogeneration" refers to a generation whose digital technologies, such as computers, mobile phones and video games, already existed at the time of their birth. They grew up in a world infiltrated by new information communication technologies represented by social media. Today, mobile devices have become the main online tools in most parts of the world. In addition, experts predict that we will soon see more radical communication integration and penetration. We have become living in both the physical world and the virtual world — — An independent but closely connected virtual world that is complementary to the real world — — The first generation.

The network world is a space that integrates all information, which provides a new infinite space and platform for people to create, publish and spread information. The relationship between people in this space, the community established and the communication carried out are all realistic and will bring real-time experience. However, this space is virtual and does not have the same physical existence as the real society. Virtuality is a general term for the reconstruction of familiar physical space in cyberspace. Now, VR (Virtual Reality), AR (Augmented Reality) and MR (Mixed Reality) have become our very familiar existence and experience. Face-to-face communication and non-face-to-face communication with digital technology have naturally penetrated and integrated into people’s daily life, and complement each other. People often use both at the same time, or freely move in and out and switch between these two worlds. Many people have realized the seamless transition between virtual and real situations.

Why did you enter the "communication age" from the "information age"?

Why are people not satisfied with receiving and obtaining information, but also want to further participate in communication? Why are more and more people eager to communicate, keen to participate in communication, and willing to spend time and energy on communication? This involves both psychological and social reasons. Gregory Shepherd, a communication theorist, pointed out that among all human desires, two are particularly "sincere": on the one hand, we always want to have a certain right to speak, so that we can decide our own destiny to a certain extent — — No longer a "puppet" of fate, a little person nested in a gear, or a buoy with no anchor chain fixed at sea; On the other hand, we don’t want to be alone (Shepherd; St. John & Striphas, 2006)。 Communication can help people satisfy these deep-seated desires and bring some elements from potential fields into practical fields (Frey & Carragee, 2007). It connects us, establishes consensus, relationship and common vision about reality through interaction and participation, and enables people to take control of their own destiny, seek infinite possibilities in the future and make their own contributions.

In the traditional media era, news and information are made public through a "highly centralized" production mechanism. A few people control the power to spread to the public, and the news media controls what information can be spread. This one-way communication mode leads to the situation that few people participate in news communication (Lanham, 1993; Warnick & Heineman, 2007)。 In the new media era represented by social media, communication scholars began to explore the infinite possibilities of interactive media development (Davis, 2011; Ledbetter et al., 2011)。 This change embodies a new mode of communication, and also marks the beginning of a new era. The changes brought by the new media have made a key change in interpersonal communication and social communication, including news communication: from an entity to a wide audience, it has become mutual communication, exchange and communication between many people (Peters, 1999). The theoretical significance of this change is that the new media, represented by social media, provides an unprecedented new platform for users all over the world to talk to each other and provides unlimited possibilities for hundreds of millions of people to spread their ideas, opinions and information to others. In other words, the new media has innovated two-way or multi-directional communication, in which the audience can respond to news, information and news, rather than simply receiving them.

The new media enables people to interact and spread by sending and receiving messages. With the invention of various interactive communication technologies, people began to have new channels of communication, communication and exchange. For ordinary people, the new media is more democratic and fair (Warnick & Heineman, 2007). People enjoy the right of free communication and numerous information sources, and can establish closer relations with others and society through the media. All this is mainly attributed to a series of changes in the field of information and communication since the mid-1990s. So far, the most important representative of this new information and communication technology is social media (Nickson, 2016). Since its appearance, interactive communication information technology has become the most important tool for people’s daily communication, and has greatly changed people’s way of life, behavior and thinking.

The emergence and rapid development of new media represented by social media have brought extensive and profound changes to human society in just over 20 years. So, what is the difference between the new media and other media before? Why does it have such a far-reaching impact on people’s lives and society? Although every innovation and mutation of communication technology in history has brought great changes to human society, every change in the past has occurred in a certain range and has certain limitations. For example, from the printing era (including books, newspapers and magazines) to the film era, and then to the radio and television era, every revolution in communication technology has brought considerable influence to the whole human society. However, there has never been an impact so great, so extensive, so comprehensive, so profound and far-reaching, so subversive as that brought by the new media represented by social media today.

The influence of new media such as social media stems from its own essential characteristics. Marshall mcluhan, a Canadian communication scientist, said in his book Understanding Media: On Human Extension that, in essence, medium, that is, media or media, is an extension of human body (McLuhan, 1964). All forms of communication technology before are far from the "extension" of new media such as social media to the human body. This extension can be said to be an infinite extension beyond time and space. From a theoretical and technical point of view, in the case of connecting to the Internet, the information sent through social media can be instantly received by people in any part of the world, and such a huge "power" is indeed unprecedented. As a new social force, the new media has brought subversive and revolutionary changes to the communication mode. The "revolution" here does not refer to violent and bloody changes, but to sudden changes and great changes. Compared with evolution (mostly gradual and slow evolution), revolution usually refers to great, extremely fast and extremely strong change.

Another fundamental difference between this kind of new communication technology and traditional communication technology is that the new communication technology is much simpler and easier to connect with society and its members, and the possibility and convenience of interaction between social groups and individual intervention in social affairs have been greatly improved, forming an "undifferentiated" communication paradigm, which is why there are nearly 1 billion new media users in China now. The significance of this "indifference" lies in the fact that there is basically no limitation on the scope of users from the economic and technical aspects.

Another extremely important and profound change brought by the new media, represented by social media, is the integration of the finite real world and the infinite virtual world to form another new world. This brand-new and truly infinite world, which is composed of two worlds, is not only a brand-new concept, but also brings a brand-new life and survival experience. People can quickly adapt to it and accept it without complicated transformation and adaptation process, and become more and more attached to it and inseparable from it.

According to the theory of mass media, the media has an impact on people and society from two levels: one is the macro and social level, and the other is the micro and individual level, which are overlapping. On the one hand, the influence of new media on the "new world" is superficial and obvious, that is, it has brought great changes to people’s way of life, behavior and thinking, and the scope of influence has extended from individuals to society, which has greatly changed the current social operation mode; On the other hand, it is also a more important influence, which is invisible, invisible and deeper to the whole human society. It is mainly reflected in promoting, forcing or causing the reorganization of social structure, which has gradually turned the original unified and integrated society into a number of "small societies", thus bringing unprecedented challenges to the formation and management of the entire political system and ideology. Nowadays, the phenomenon of social fragmentation and tribalization is a prominent manifestation of social restructuring, and this influence and change trend is unstoppable. Associated with this, every fragmented small society has its own "opinion leaders", that is, every virtual "tribe" has its own political inclination and value recognition, that is, it has a certain degree of political ideology and cultural value system that belongs only to their group. This kind of influence and change is almost in every "Tribe "has different degrees of presentation. As the most important discovery of secondary communication theory, "opinion leader" plays a huge role in community communication. In this situation, many top-down social management or governance models will need to be redesigned and formulated because it is difficult to achieve the expected results in the new social form of combining reality and virtuality, which has brought unprecedented challenges to social management and network governance to a great extent.

At the same time, the influence of new media on individuals and society is constantly interacting. For example, the new media has changed people’s way of life, behavior and thinking, which has promoted the reorganization of social structure, and the reorganization of social structure and the resulting changes in social management or governance mode will in turn affect the use and development of new media. Accordingly, the further development of new media will bring about further changes in people’s life, behavior and way of thinking, and this change will bring more far-reaching influence to society. In short, as long as the new media continues to develop and change, it will bring new influences to individuals and society. This has been a common phenomenon in the world in recent years, and it will also be the general trend of most social evolution in the world for a long time to come.

Why can social media promote a new era?

Interaction, personalization, flexibility, creativity and constant development and change are the main characteristics of new media represented by social media in the communication era, and they are also the communication characteristics in the communication era. In the era of communication, anyone can be an author, editor, artist, educator, musician, etc. of news or information release, and can also be the creator of UGC(User Generated Content). Different from the traditional media era, interactive media allows each user to choose what to say, when to say it and how to say it. By downloading, uploading and updating, people search the latest information sources and share the information they need and want. As one of the most important features of new media, interaction is a kind of communication phenomenon that is not limited by distance through social media, that is, by sending and receiving almost real-time digital coded information, users can spread in two-way or multi-way in a dynamic environment, such as posting comments under online articles such as blog posts.

Another notable feature of new media lies in its personalization. Communication in different environments or different interactive backgrounds has its own unique environmental or situational characteristics, which affects how information is used and how meaning is constructed. In the era of communication, the boundaries between communication environments are becoming more and more blurred and overlapping. Communication is often a mixture of multiple environments, each of which may include face-to-face communication, media communication, or some form of combination of the two. Today’s communicators can share their information with a wider audience by using emerging new technologies, and the audience can also actively participate in it through online comments. Although newspapers, books, radio and television are all carriers of mass communication, there is almost no interaction between producers and audiences of news in this kind of mass communication. It is also for this reason that mass communication is mostly considered to be one-way in history. Although the emergence of the Internet has enabled mass communication to achieve interaction, for example, users have the opportunity to interact to a certain extent through comments and ratings; But compared with social media, this interaction is still primitive and basic. Social media provides more personalized opportunities for communication, which makes the boundary between mass communication and interpersonal communication more blurred. Based on the personalized platform, the new media has established relationships and paths with its users, and provided specific users with the information they want at a specific time and in a specific way. Although such a push mechanism also has its drawbacks, it may limit the views and information that users are exposed to, but more importantly, the new media has built an open and shared stage.It provides a platform for users to express themselves to others, and also creates endless possibilities for communication. This involves a core idea of the communication era, that is, everyone should have and can have the opportunity, means and ability to spread — — Get instant information and express yourself.

New media has been changing and developing. With the continuous progress of information and communication technology, people’s interaction and communication style has changed from the usual face-to-face communication to a new communication field, that is, communication and interaction in an infinite but anonymous environment (Walther & D’addario, 2001; Walther, Loh & Granka, 2005; Arvidsson, 2006; Ellison, Heino & Gibbs, 2006)。 Scholars engaged in CMC (Computer Mediated Communication) research believe that computers will reshape interpersonal communication, and now this assertion has come true (Poster, 1990; Sproull & Kiesler, 1991; Hiltz & Turoff, 1993; Ledbetter et al., 2011)。 Compared with face-to-face discussion, non-face self-disclosure through new media becomes more comfortable for users, and more and more people show stronger willingness to self-disclose. It can be seen that the new communication technology has not only changed the individual mode of communication, but also gradually changed the main mode of communication in society (Poster, 1990; Goffman, 1999; Walther et al., 2005)。 The new communication technology that changes the communication mode of billions of people is social media represented by Facebook, Twitter, Flickr, WeChat and Tik Tok (Palomares & Lee, 2010), and these social media are the most important new developments in CMC field (Greenhow & Robelia, 2009).

Evolution and development of communication attributes

In the past hundred years, the multiple attributes of communication have been continuously developed and evolved, and scholars have been constantly exploring and understanding them. Based on the combing of communication scholars, the evolution and development of communication attributes have mainly gone through the following stages (Edwards, et al., 2012).

The "transmission property" of communication was first recognized and defined in the 1940s (Shannon & Weaver, 1949), which emphasized that communication is a linear and one-way transmission of information, that is, information sources send messages to receivers through a channel or medium, and regard communication as a channel and process of information transmission from one person to another. Of course, there are obvious shortcomings in defining this attribute, that is, the sender is regarded as active and the receiver is passive; In fact, most communication is two-way. Therefore, after this, the "interactive nature" of communication has made up for this defect well.

In 1950s, the "interactive nature" of communication was put forward, pointing out that communication is a two-way behavior process (Schramm, 1954). It absorbs the basic elements of transmission metaphor, but adds two important components: feedback and experience. Feedback refers to the receiver’s reaction to the sender’s message. Based on feedback, senders can adjust the information they transmit in real time to increase the chances of successful communication. In addition, because each sender and receiver is a unique individual, this model also involves the field of experience, such as the attitude, concept and background of each of us in the process of communication. However, like the previous transmission attribute, this attribute still treats the sender and receiver separately in essence.

In fact, communication also has the "exchange property", that is, it recognizes that people are connected through communication and make achievements through communication, which is beyond the level of (trans-) information exchange. The exchange property of communication put forward in 1960s abandoned the concept of single sender and receiver, and pointed out that participants are both senders and receivers, and they are related to each other. In communication, based on information exchange, the relationship between participants and them will change with communication. The reason why communication affects its participants is that each message has two dimensions: content and relationship (Watzlavick & Beavin, 1967). The content of information refers to its superficial meaning; The relationship of information refers to how information is expressed and its relationship with participants. The relational dimension of information not only reflects the relationship between related people at that moment, but also shapes their future relationship.

After that, the "social construction attribute" of communication is put forward, which further expands the idea that communication affects communicators. Specifically, the attribute of social construction emphasizes that communication can shape and create newer and better social reality (Berger & Luckmann, 1967; Craig, 1999)。 The social construction attribute of communication expands the role of disseminator from sender/receiver to co-creator of shared social world, that is, participants shape practical, true, acceptable, credible and feasible social reality intentionally or unintentionally through joint efforts. In a certain sense, news is far more than a collection of pieces of information, but the cornerstone of social reality. The attribute of social construction assumes that people further shape themselves in the process of communication with others. At the same time, the process of communication is also one of the main means for people to participate in social development and construction.

From the above analysis of communication attributes, it can be clearly seen that every new attribute of communication is put forward on the previous basis, and through continuous innovation and progress, the great power and social role of communication are gradually recognized and revealed. Judging from the evolution of world history, many social changes began with or related to the evolution of the communication field, and then the evolution of the communication field in turn affected and promoted the evolution and development of the social field. Therefore, making full use of the power of communication to social change can build a better social reality for human society. Over the years, the understanding of the nature of communication has been developing and deepening, and the important role played by communication in creating social reality has been generally recognized.

In addition to the social level, from the personal level, the communication attributes that individuals understand and agree with will also affect their life, behavior and way of thinking. For example, some people think that communication is simply a means of transmitting information from one person to another, that is, transmission attributes; Others believe that communication is a process of cooperation, involving content, relationship and environment, that is, exchange of attributes; Others realize that communication has the power to change and create new social reality, that is, the social construction attribute of communication. Research shows that those who realize that communication can be used not only to convey information, but also to achieve goals, change and create new social reality usually have stronger communication ability (O’Keefe, 1988). In the era of communication, individuals, groups, companies, organizations and even countries with better and stronger communication ability often have more and better development opportunities and prospects.

Power, obligation and responsibility of communicators in the era of communication

In the era of communication, everyone has become a conscious or unconscious, conscious or unconscious, positive or negative, successful or failed communicator. Therefore, in this new historical era — — In the era of communication, everyone, as a communicator, should bear the new obligations and responsibilities entrusted by the new era.

With the continuous development and popularization of new media represented by social media, new modes of communication have been integrated into the daily life of the vast majority of people all over the world. In the era of communication, almost every user has his own "media", so social media is also called "self-media" figuratively and accurately in China. Every self-media user "controls" the "media" he owns. With the two-way and multi-directional communication becoming the main forms of communication, the dialogue between many people has been realized for the first time in human history. In other words, anyone in the communication can become a publisher, editor, journalist or even an expert or celebrity, which provides an unprecedented vast space for the dissemination of information, the deepening of opinions and the integration and development of politics, culture, commerce, entertainment and education. In essence, the current mode of communication has undergone earth-shaking changes. In this new era of communication, communication ethics is of special importance.

Morality is a code of conduct based on respect for oneself, others and the surrounding environment. Simply put, morality involves the behavioral judgment of right and wrong. As a communicator, everyone must shoulder their own social and moral responsibilities, and only with moral communication can the well-being of individuals and society be improved. Social media is a new communication technology, communication mode and communication tool with the fastest development, the largest number of users and the greatest influence so far. In the era of social media, the self-media user is no longer just a pure self-media user, but also a media person and a media owner. In a legal sense, it naturally becomes an unregistered but actual media legal person. Every sound, every message and every picture made by people, and every spread in the real world or virtual world, may have a certain impact on others or society. Therefore, as a media legal person from the media, we should also be cautious about what we say, the image we create and the views we express, and bear the corresponding consequences for the possible impact.

Since self-media users have multiple identities, namely users, media owners and legal persons, self-media (social media) users need to fully understand the obligations and responsibilities at these three levels. The first is the personal level, that is, the moral responsibility that individuals should have in communication behavior; The second is the social level, that is, the social responsibility that individuals should have in communication behavior; The third is the legal level, that is, the legal responsibility that individuals should have in communication behavior. At present, the vast majority of self-media users are far from realizing that they should abide by these obligations and responsibilities, let alone consciously abide by them. Under such circumstances, on the one hand, it is necessary to strengthen relevant education guidance and enhance the sense of responsibility of media users; On the other hand, it is necessary to formulate, improve and implement relevant laws, regulations, policies, regulations, systems, articles of association, etc., and guide media users (that is, media owners) to abide by the personal, social and legal obligations and responsibilities that they must undertake as media legal persons. In the study of communication, it has always been emphasized that the media must bear corresponding social responsibilities while pursuing freedom of the press and freedom of speech, and seek a balance between the two; At the same time, when the two conflict, we should give priority to social responsibility. This is also completely applicable to countless users/owners of self-media now. Social media platform is not an extra-legal place where individuals can use their own "media" to spread at will without any responsibility; On the contrary, as a "Media people, the communication behavior of media users must be based on moral considerations and bear corresponding obligations and responsibilities.

How to ensure that communication behavior can be responsible to oneself, others and society? Habermas, a communication philosopher and ethicist, believes that moral communication can promote autonomy and sense of responsibility. The spread of morality respects the right of individual choice and self-determination, and at the same time encourages and demonstrates the sense of social responsibility. He pointed out that communication that deprives people of their free will is potentially dangerous, because they deprive people of the opportunity to make wise decisions and control their own destiny. At the same time, Habermas also stressed that in the process of realizing freedom, people should not only be responsible for themselves, but also bear common responsibilities to others and the community. The greater the power, the greater the responsibility. Information and interaction are powerful elements in constructing social reality (Habermas, 1979), that is to say, the increase of a communicator’s communication power means the increase of his responsibility accordingly.

With the evolution and development of communication attributes, the moral standards of communication also change. For example, the information transmitted by the communicator to the receiver must be ethical, and the first thing is that the message must be true, truthfully reflect the real situation, and have factual integrity. The interactive attribute recognizes the process of feedback and that everyone has a unique field of experience. Therefore, the spread of morality needs to provide opportunities for feedback and respond positively to it. The nature of exchange emphasizes that people are connected with each other through communication. Therefore, it is necessary to realize the influence that the spread information may have on participants and their relationships. Finally, the attribute of social construction emphasizes that communication can create social reality. Therefore, to regard communication as a process of social construction requires special attention to two points: strength and restraint. Power refers to the power and freedom to use communication to create the social reality people want. But at the same time, we must realize that the social reality they create may be a "cage" and face the constraints or restrictions of social reality. Therefore, the same is true of the process of hoping to achieve change and create new social reality through communication, which always contains both strength and constraints.

社交媒体影响社会的类型和主要因素

为什么在有些国家和地区,以社交媒体为代表的新型媒体产生了很大的影响,而在另一些国家和地区的影响却没有那么明显呢?这是因为新型媒体对不同类型的国家地区、社会形态的影响是不一样的。关于以社交媒体为代表的新型媒体对社会影响的不同情况,相关研究将其归纳为四种类型。第一种是“核武器型”,认为新型媒体对社会的影响会导致社会全面的、颠覆性的突变。比如,在新型媒体的助推下,有的国家在一夜之间政权发生了更迭,如“阿拉伯之春”“茉莉花革命”“颜色革命”等等。第二种类型,把新型媒体看成是引领和推动激进的社会变革的发动机,因此被称之为“发动机型”。2016年美国总统选举前,学界还普遍认为新型媒体的“核武器型”和“发动机型”的影响通常发生在不发达国家,或是政治体制趋于专制型或威权型的国家。然而特朗普赢得2016年美国总统选举证明了实际情况并非如此。特朗普利用社交媒体的影响力来宣传自己的竞选主张,与反对他的主流媒体博弈,从而战胜对手,赢得了选举。It can be said that without new media, it is difficult for Trump to win in the 2016 general election. This example shows that the influence of new media is not limited to underdeveloped countries and authoritarian and authoritarian societies, but may also occur in economically developed countries and politically open societies.

The third type of social impact of new media represented by social media is "catalyst type", that is, new media promotes and promotes various forms or degrees of social transformation. Social transformation and social change are different in theoretical meaning. Samuel huntington also defined social transformation in his book Clash of Civilizations and Reconstruction of World Order (Huntingdon, 1996). Social transformation is different from social change, and social change is also different from social revolution. There is a strict distinction between the three. The reason why the new media is called "catalyst" means that although the new media itself is not a subject leading the change, it can or can be used as an important or huge promoting force to promote social transformation under the guidance of other social factors.

The fourth type of social impact of new media, represented by social media, is "platform type", that is, it is believed that the emergence of such new media has produced or expanded public space in society. In the past, it was generally believed that this type of influence appeared more in western society. But in recent years, this influence is not limited to western society.

In addition to the four types discussed above, there is a fifth type of influence of new media on society, namely "lubricant type". As China has been advocating in recent years, the development of new media is conducive to enhancing and promoting communication between the government and the public, thus enhancing mutual understanding and communication effect, enhancing mutual trust and transparency of social governance. As a public space and social communication platform, new media has become a new field for the public to express their opinions. At present, China is in the stage of social transformation, and the lubricant function of new media is urgently needed to be borrowed and applied to practice.

This involves an important question, that is, what factors determine the influence of new media represented by social media on society? Why do some play a more positive role, while others play a more negative role? To answer this question from the theoretical level, generally speaking, it mainly depends on three factors.

First, generally speaking, the extent of media’s influence on society depends on the political structure and social system. The social political structure and social system mentioned here do not involve value judgment, which political structure and which social system are good or bad, but only discuss which political structure and which social system it depends on. If they are in the same political structure and social system, it depends on their development stage at that time. Every society is at a specific stage of development at a time. According to the famous sociologist Rostow’s theoretical model of modernization and socio-economic development (Rostow, 1960), the modernization development of a society can be divided into five stages: the first stage is the basic accumulation stage, the second stage is the economic take-off, the third stage is the sustainable and stable development stage, the fourth stage is the prosperity stage for most people in the whole society, and the last and most important stage is the stage when the society enters a complete social security system. If the society is only in a state of rapid development, a complete social security system will not be built in the end, nor can it be regarded as a real modernization. For those social forms that belong to the same social system, it depends on what stage of development they were in at that time, that is, in the stage of steady development, transformation, or mutation, and so on. In different social systems and different stages of social development, the influence of new media on society and its role are different.

Second, the influence of new media on society also depends on the social role played and assumed by the media. The word "society" in front of "role" emphasizes its overall role at the social level. Take social media as an example, it is usually translated into social media in Chinese, but this translation is limited and misleading, which will make people think that its main function is social. In fact, the main function and role of social media is social. The overall function is social, which does not mean that it has no social function. But the result of its extensive and unprecedented social function is social function. Therefore, the role of new media in a society is also an important factor to determine its influence on society.

Third, the influence of new media on society depends on its development state and stage in society. In different social forms, new media presents a state of high-speed, low-speed or even "zero development", and correspondingly, its influence on society is also very different. First of all, this influence involves the proportion of new media users to the total population, that is, how many people are using new media in a society. For example, in some African countries, less than one-tenth of people are using new media, so it is difficult to make a big storm for the time being. However, in some societies where more than half or even most people are using new media, its possible social impact is completely different, and its impact may be extremely extensive. Take today’s China as an example. In such a country with a population of more than one billion, the users of new media have reached more than 70% of the total population and more than 90% of the total number of adults. Its influence on society will be incalculable and should be highly valued. Secondly, the influence of new media in a society depends on the quality of new media users, especially young users. At present, a considerable number of users feel that what to do, what to say and how to say in the virtual society is their own right, and they don’t have to be bound by anything, and they don’t have to worry about any consequences. Whether intentionally or unintentionally, this wrong understanding will inevitably lead to irresponsible behavior, which will lead to serious negative social impact. Finally,The influence of new media on a society also depends on the ability of the rulers to manage new media. If the rulers are poor in management or lack of management experience, new media may become a "catalyst" for the color revolution; On the other hand, if well managed, it may become a "lubricant" to promote social communication and social harmony.

The era of communication has come, are we ready?

From the information age to the communication age, there are two basic conditions: one is the necessary condition, that is, the technical foundation of new communication and information technology; The other is sufficient conditions, that is, political and social needs and the requirements of the society at a specific social stage. At present, the era of communication has arrived, but are we ready? Judging from the situation in China, efforts should be made to improve and perfect it in the following three aspects.

First of all, the system of laws and regulations. In recent years, although the laws, regulations, policies, regulations, systems and articles of association that are closely related to the communication behavior of new media and its users are becoming more and more perfect, their effects are not ideal, and their pertinence, timeliness and practical operability are limited, which leads to the need to rely on daily administrative means for management in the later stage, which is not conducive to bringing the management of new media and users’ communication behavior into the track and system of laws and regulations as a whole. There is no perfect system of laws and regulations. In the process of promoting its continuous improvement, we should consider not only the interests of society and the country, but also the development of new media and the rights of its users, so as to make overall plans and take a long-term view.

Second, social media users. A healthy and good communication era needs a healthy and orderly communication field and social environment, and the formation of this environment depends on the good moral cognition and media literacy of social media users. At present, some users believe that since the media era, everyone has their own voice platform, and they can freely choose what they want to say, how to say it, and when to say it, as if they are in a "carnival" with no time limit and no restrictions. In fact, "everyone is a communicator" is also a double-edged sword. While it brings the diversity and equality of communication, it may also bring the mixed and disorderly communication behavior, irresponsible social communication and even intentional social chaos. Due to the lack of necessary media literacy education and self-discipline and discipline in the face of laws and regulations, the media era often presents a state of disorder and chaos. According to statistics, hundreds of millions of false information are flooding in cyberspace every day, which not only seriously pollutes the virtual world, but also seriously pollutes the real world in which we live. Network governance has reached the point where it can’t be cured, cured or cured. However, the ideal communication environment cannot be completely realized by governance; On the contrary, governance can only be an aid, and an orderly cyberspace environment needs to be built on the rationality and sense of responsibility of media users. We should take a "two-pronged" approach, based on a practical system of laws and regulations,With the help of effective media literacy education, we should rely on all users to build a healthy, positive, pluralistic, equal, rational and orderly communication field and environment that is suitable for the communication era.

Finally, the traditional mainstream media. Although social media or self-media are also called media, they also play the role of media, but they cannot replace the functions of traditional media. Traditional media, especially mainstream media, is an indispensable part in the development of social undertakings, reflecting and representing social politics, culture and mainstream values. At present, the influence of the traditional mainstream media in the "communication era" is declining, and more and more people are used to getting information through social media (from the media), which is full of inaccurate, one-sided and extreme information, and even rumors that intentionally confuse people and mislead the public, making it impossible for people to know the truth in time in the noisy and mixed communication field. Therefore, many scholars call this period the "post-truth era" or "no truth" Shi Anbin and Zhang Yaozhong, 2016; Shi Anbin and Yang Yunkang, 2017; Shi Anbin, 2019). At present, the traditional mainstream media should shoulder the unshirkable responsibility of the communication era, actively build a strong communication team and group with professional journalism ability and high social credibility, and provide the truth to the whole society at the first time when news and social events occur. At present, China’s traditional mainstream media still have some room for improvement and efforts in the above aspects. We should actively study and take practical measures to shift the main source of information for the audience from social media/self-media to mainstream media.Actively respond to the new expectations and requirements of the society and the public for the traditional mainstream media in the communication era.

At present, among the three traps that China society needs to avoid, namely "Tacitus Trap", "Thucydides Trap Trap" and "Middle Income Trap", "Tacitus Trap" is the most challenging and needs to be avoided. The formation and development of "Tacitus Trap" is closely related to whether the mainstream media in a society has strong credibility (Pan Zhichang, 2016; 2019). If a country or region lacks mainstream media with broad credibility, it is likely to lead the rulers to fall into the "Tacitus trap"; The mainstream media with broad credibility will, to a great extent, help the rulers stay away from the "Tacitus trap". It is an urgent task to build a powerful, first-class, high-quality and efficient mainstream media with high social credibility. Based on the current reality, China has the foundation, ability and conditions to achieve this task. Compared with the Associated Press, which has been ranked first in the world for nearly a hundred years, Xinhua News Agency has surpassed it in scale and development speed in recent years. At the same time, according to the author’s on-the-spot investigation and research on CNN in the United States and CGTN (China Global Television Network) in China,Compared with CNN, the most widely watched and influential media in the world, CGTN has also achieved a catch-up in many aspects, such as technical equipment and the construction of a "three micro-terminals" new media platform. In addition, in recent years, the number of news communication talents trained and exported by universities in China has far exceeded that of American universities. However, we should also see that although China has many excellent foundations and conditions in hardware, there is still a lot of work to be done to build a strong mainstream media with high social credibility.

To sum up, although the communication era has arrived, we are not fully prepared for the governance of the media environment, the educational guidance of social media/self-media users, and the transformation, growth and development of traditional mainstream media with the times, and there is still considerable room for improvement. We should innovate ideas and measures, strive to adapt to and actively respond to the new requirements and challenges of this new era.

Concluding remarks

The arrival of information age comes from the appearance of information technology, and the arrival of communication age comes from the appearance of new communication technology. The new media represented by social media has the characteristics of indiscriminate intervention, instantaneous communication, high participation and deep interaction, as well as universal, global and holographic, which has led human society into a new era.

The information age has failed to fundamentally change the structure and mode of communication, and the communication behavior is mainly one-way reception and acquisition and "being told", which has different degrees of time and space limitations; The communication era has fundamentally changed the structure and mode of communication, making communication behavior bidirectional, multi-line, dynamic, diverse, interactive, participatory and undifferentiated. It is a kind of behavior and social existence that makes communication more meaningful and has the power to accelerate the development of individuals and society in a more positive direction. In other words, the information age emphasizes the role of information, which is regarded as a material and technical means; In the era of communication, the role of communication is more emphasized, and communication is regarded as a way of life, behavior and thinking. In a sense, in the information age, the role of society is more important; In the era of communication, the role of self/id is more important. The transition from the information age to the communication age, to some extent, shows a major change from the emphasis on "being spread by others" in the past to the emphasis on "spreading to others", more emphasis on initiative rather than passivity, and more emphasis on self/id (including this group, this organization, this enterprise, this unit, this community, this country, etc.). In addition, the main feature of the information age is the mass production of information, and information itself is an economy or industry, even a major economy or industry; Entering the communication era, the characteristics of the information age still exist, but more emphasis is placed on how to spread information.The ability of communication is emphasized. To some extent, communication ability refers to good or good communication, bad or not good enough, poor or very poor; Effective or efficient, inefficient, ineffective or negative. This is a new era that emphasizes the importance of communication and communication power. Therefore, in many cases, whether it can spread successfully, quickly and effectively is often more important than whether it has information. If you have information but can’t spread it, or you can’t spread it effectively, it’s not very different from not having information.

It should be pointed out that such a change does not mean that we no longer want to be informed, nor does it mean that we should completely deny the information age. The need to inform still exists. We have not got rid of the past, and we cannot and cannot get rid of it. On the contrary, in the face of the arrival of new things, we must integrate the old things into the new ones, use them in new ways, and learn to feel and use the new power brought by the new communication era. We need to better understand, recognize and adapt to this new era, and be competent and complete the historical responsibility and great mission entrusted by the new era.

Now most countries in the world have entered the era of communication, and everything around us has been inseparable from social media for a moment. The new media, represented by social media, opened the communication era through the functions of dialogue, interaction and participation, and expanded rapidly around the world. The essential meaning of the word "social" in social media is social communication and social communication, which is also the core content of the word "communication" in the communication era. In the information age, information is the lifeblood of social development and progress, whether for society or individuals. Therefore, how to speed up the development of the information field and how to enable individuals to obtain information more quickly has become the key for individuals and society to achieve better development (Shirazi &Keivani, 2019; Iftody, Sumara & Davis, 2011)。 After the information age, the gap between countries, regions and individuals in obtaining information — — That is, the so-called information gap — — It has been greatly reduced, which also puts forward new requirements for improving communication ability and communication effect. In the era of communication, how to achieve more effective communication and improve communication ability and effect after mastering and obtaining information has become the key to promote individual and social development and progress. Based on these unprecedented changes and status quo, it is particularly urgent and important to make a systematic and in-depth study of the communication era.

According to the latest 47th Statistical Report on Internet Development in China issued by China Internet Network Information Center (CNNIC), by December 2020, the number of netizens in China had reached 989 million. At present, the omnipresence, omnipotence and non-use of information have made profound changes in the ecology of public opinion, the pattern of media and the mode of communication, and the work of news public opinion is facing new challenges. General Secretary of the Supreme Leader (2019) pointed out: "It is necessary to use the achievements of the information revolution to promote the in-depth development of media integration, enlarge and strengthen mainstream public opinion, and consolidate the common ideological foundation of the United struggle of the whole party and the people of the whole country, in order to realize ‘ Two hundred years ’ The Chinese dream of striving for the goal and realizing the great rejuvenation of the Chinese nation provides strong spiritual strength and public opinion support. " It is necessary to scientifically understand the communication law in the communication era, accelerate the development of media integration, make the mainstream media have strong communication, guidance, influence and credibility, make all the people closely United in ideals, beliefs, values and moral concepts, and make the biggest variable of new media become the biggest increment of career development. Unified planning, unified deployment, unified promotion and unified implementation should be made, and efforts should be made to build a long-term stability and grow the industry of governance, so as to build China, a big country with new media, into a powerful country with new media.

At present, the new media represented by social media is still developing and changing with each passing day, and its influence is increasingly extensive and in-depth, which will change people’s life behavior and way of thinking to a greater extent and in a wider range, and continue to promote the continuous reorganization and adjustment of social structure, thus affecting and even influencing the process and mode of social development and change. These situations have been confirmed by many countries and regions around the world. In this regard, we should more objectively, comprehensively and rationally understand and recognize the communication era brought by new media, and make use of its advantages to achieve better development. In a word, we should keep pace with the times, be open and inclusive, and strive to adapt to this new era of communication.

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Editor/Zhang Bei

Are We Ready for Transitioning from the Information Age to the Communication Age?

Hong Junhao

Abstract: The human society is biding farewell to the information age and entering a new age – the communication age. The multiple attributes of commun ication have been developing and evolving, and have gone through the development stages of transmission attribute, interaction attribute, exchange attribute and social development attribute. In the communication age, for the first time in history, people are not only the existence of bodies, but also the existence of numbers; at the same time, the public opinion ecosystem, the media pattern and the mode of communication are undergoing profound changes. We should objectively, comprehensively and rationally understand the laws governing communication in the communication age, actively undertake the new obligations and responsibilities imposed by the new era, and strive to build a healthy, pluralistic, equal and orderly communication space and environment suitable for the communication age, so as to make new media, which is the largest variable, become the largest contributor in promoting social development.

Keywords: information age, communication age, communication effect, mainstream media, social media

There are you along the way, and the spring breeze is thousands of miles-railway police Spring Festival travel rush fought for Wan Li Road to be loyal and safe.

  Wan Li, where the ice and snow are cold, reflects the warmth of spring. Spring Festival travel rush is connected with spring. Iron police, because iron is stronger. In the 40-day Spring Festival travel rush, faced with another test and challenge, the railway police authorities once again faced difficulties.

  Since Spring Festival travel rush this year, railway police authorities all over the country have always adhered to the concept of "people first", always put the safety and interests of passengers at heart, stick to their posts, faithfully perform their duties, and cheer for "safe, orderly and warm" Spring Festival travel rush, so that the Wan Li Railway is filled with a slow spring breeze.

  The sword comes out of its sheath to protect a safe journey.

  On February 21, the Wuhan Railway Public Security Bureau arrested Ji Mou, a suspect who stole 1,600 yuan in cash from the G1032 train on February 15, at the exit of Wuhan Railway Station.

  During the period of Spring Festival travel rush, local railway police authorities always put the safety of passengers’ personal property in the first place, strictly implemented the police information notification system, strengthened cooperation and strict preventive measures, set up iron eagle teams to get on the train, and cracked down on existing illegal activities. The police stations of passenger stations of Beijing Railway Public Security Bureau strengthen the contact with the arriving and stopping passengers, and improve the rapid interception response capability. Xi ‘an, Xuzhou, Jiamusi and other railway public security departments have strengthened all kinds of information collection and judgment to improve the accuracy of the attack. On February 14th, a mobile phone was stolen from a passenger on the K866 train. The Linfen Railway Public Security Department identified the suspect through active work, and advised the suspect Qiao to surrender to the public security organ on February 15th. On February 16th, a passenger reported that a satchel containing 910 yuan cash and a diamond ring was stolen from the waiting room of Huaihua Station. Huaihua Railway Public Security Bureau Huaihua Station Police Station immediately started work, and in less than an hour, the suspect Pu was arrested on the K9264 train. On February 18th, guangzhou east railway station Police Station of Shenzhen Railway Public Security Bureau arrested Xie Mou, a suspect who stole a passenger’s mobile phone in guangzhou east railway station on January 9th.

  The railway police in various places have also continuously strengthened the public security management of station cars, strictly checked key personnel, and concentrated on rectifying illegal acts such as drunken troubles, forced entry of gates, and smoking on high-speed trains. Nanjing Railway Public Security Bureau Danyang Station Police Station, Xuzhou Railway Public Security Bureau Donghai County Police Station and Hangzhou Railway Public Security Bureau Changshan Station Police Station learn from the "Fengqiao Experience" and unite with local public security organs to rectify the public security environment around the station area and purify the public security order. On February 20th, passenger Luo Mou got drunk and made trouble on the C847 train, slapped the conductor and disturbed the order. He was given administrative detention for 5 days by the Kuitun Railway Public Security Bureau. On February 17th, passenger Lumou smoked on the D3066 train, which triggered the smoke alarm and caused the train to slow down. The police station of Yangzhou Station of Nanjing Railway Public Security Bureau was investigated clearly and given administrative punishment according to law.

  Enthusiastic service, warm feelings for thousands of tourists

  On January 30th, Lou Shuming, a policeman from tianjin railway station Police Station of Tianjin Railway Public Security Bureau, contacted in many ways to help Mr. Zou, a passenger, find the backpack with 12,700 yuan of "hard-earned money" that was taken by other passengers by mistake.

  During the period of Spring Festival travel rush, local railway police authorities organized police officers to stand on their posts and actively carry out various kinds of service activities to facilitate the people and benefit the people, and lend a helping hand at a critical juncture; In difficult times, help enthusiastically. Warm moments again and again make passengers travel more smoothly and comfortably. On January 23rd, the police station of Xinxian Station of Macheng Railway Public Security Bureau contacted many parties, and found a college student left behind in a backpack with a tablet computer, graduation thesis and important study materials on the T182 train. On February 13th, a passenger suddenly collapsed on the ground at Shaoyang Railway Station, his face was pale and his lips were purple, and the situation was critical. After the police of Changsha Railway Public Security Bureau found out, they immediately dialed 120 with the station staff to cooperate with the medical staff to carry the passenger to the ambulance and take him to the hospital for rescue.

  It’s cold in winter, and the iron police have warmth. Railway police authorities all over the country have also constantly innovated their service measures, and made the activity of "I do practical things for the masses" to the best of their ability. Harbin, Wuwei, Fuzhou and other railway public security departments set up literary squads to publicize safety knowledge online and offline. The police station of Yancheng Station of Nanjing Railway Public Security Bureau and Yancheng High-speed Railway New Era Civilization Practice Center have set up six service functional areas, including Lei Feng service area, red cultural area and one-button alarm area, which have served more than 650 passengers since Spring Festival travel rush. The Youth Service Team was set up by the police station of Weihai Station of Qingdao Railway Public Security Bureau in conjunction with the passenger transport department. Since Spring Festival travel rush, it has helped passengers recover more than 120 pieces of lost luggage and articles, and helped more than 350 blind and disabled elderly people.

  Loyal to perform their duties and stick to the Wan Li Railway

  In the early morning of February 21st, 189 kilometers away from the Shenyang-Danyi railway line, Ren Chuancheng and Che Mingze, policemen of the police station of Phoenix Station of Dandong Railway Public Security Bureau, braved the cold and stepped on the snow to investigate the hidden dangers of the line. On the cold road, the footsteps slipped from time to time, and they walked cautiously against the dawn.

  Cold weather, lofty responsibility, the vast number of police officers in Spring Festival travel rush, central and local railway police organs always stick to their posts, do their best to protect their "responsibility fields" and protect the safety of Wan Li railway and passengers. On the first day of February 1, Yang Jie, a young policeman from Changshan Station Police Station of Hangzhou Railway Public Security Bureau, once again celebrated the New Year in his post. The safety of the 36-kilometer line he was in charge of was his gift to the New Year. On the afternoon of February 20th, Qiu Jian, deputy director of the police station of Suifenhe Station of Mudanjiang Railway Public Security Bureau, took the police to patrol the snow, and the wind blowing in the mountains was like a knife. On February 15th, Wang Jianhua, a 58-year-old policeman, carefully inspected the security situation around a tunnel, regardless of the cold, in the police area of Xinchang Street, the public security department of Ankang Railway, the highest altitude of the Qinling Mountains in Xicheng High-speed Railway. On February 22nd, it snowed in many places in Yunnan. The director of Wangjiaying West Station Police Station of Kaiyuan Railway Public Security Bureau led four policemen and railway workers to clean the snow on the turnout, and their hands were red with cold.

  Every time you go to work, every time you are on duty, every time you travel, no matter your age or position, every policeman has a dream and pursuit of peace in his heart and makes unremitting efforts for it. On the evening of February 18th, zhangxin, a female police officer of Taiyuan Railway Police Station, who had just been working for less than one year, was busy checking relevant data. Her first Spring Festival travel rush often worked late at night and early in the morning. On February 18th, in the face of the epidemic, Ma Dehui, a 25-year-old new policeman from Baotou East Station Police Station of Baotou Railway Public Security Bureau, wrote an invitation letter and built an epidemic prevention wall with his comrades. Nine policemen from the police station of Aershan Station of Baicheng Railway Public Security Bureau are stepping on the ice and lying in the snow, guarding the safety of 127 kilometers of open lines, 9 crossings, 4 stations and a large tunnel. On February 19th, in mohe railway station, the northernmost part of China, Wu Huicong, a 28-year-old policeman from mohe railway station Police Station of Qiqihar Railway Public Security Bureau, investigated the hidden dangers of line security. In the ice and snow, the speeding train was the most beautiful scenery in his mind. On February 23rd, Geng Chungui, a police officer of Jining South Station Police Station of Hohhot Railway Public Security Bureau, who is about to retire, earnestly urged the security personnel to take good care of the security door and contribute to the safety of the last Spring Festival travel rush who has been a policeman for 35 years. On the same day, Li Jianbo, a policeman from Zaozhuang East Station Police Station of Jinan Railway Public Security Bureau, who will retire in a few months, patrolled and inspected beside Zaolin Railway Line. In the sunshine, his hair with gray sideburns was shining. (correspondent Liang Xizheng)

What should children do if they play mobile phones all day? Doctor: Parents should be clear about the "rules"

  "The child has Internet addiction, stays at home surfing the Internet all day, plays mobile phones all day long, and loses his temper when he says it. What should I do?" In the eyes of doctors, this problem is also very common.

  Yang Ying, deputy director of the Children and Adolescents Ward of Shandong Mental Health Center, said that nowadays, mobile phones have become an important way for everyone to get information. During the epidemic, they can’t meet their classmates and can only communicate on their mobile phones. There are several cases in which some children really use mobile phones as learning tools, but parents don’t trust them, thinking that they use learning as an excuse to peek and intervene from time to time. "Here, in fact, parents still make preconceived mistakes, presupposing that children can’t control themselves, don’t trust children, and cause children to resent, so they are very annoyed and lose their temper."

  There is also a situation where there are communication barriers in the family, and children don’t know what they really think. If they don’t have a place to pour out their worries, they will turn to the virtual world, which is actually a way to escape. Some children say that in fact, they don’t really want to play mobile phones, and playing mobile phones is to pass the time. Therefore, parents still have to communicate well with their children and understand their real thoughts. They can’t take coercive measures or even drop their mobile phones in a rage, which will only escalate the conflict and backfire.

  Tell your child the "rules" clearly, calmly, gently but firmly, and tell him how long to play with your mobile phone. You can jointly agree on a time period and tell your child to resolutely implement it. If not, then parents will tell your child that within two days, you have lost the right to own the mobile phone, and repeatedly and firmly tell him that this is not a punishment, but a means to help you manage yourself. For serious and real addicts, they have to go to regular medical institutions for treatment.

  Qilu Evening News Qilu Yidian reporter Zhang Ruyi

These images of Han Dynasty pottery stoves unearthed in Yan ‘an, the source of exploration, were originally related to ascending to heaven and becoming immortal.

In recent decades, a large number of pottery stoves have been unearthed nationwide, mainly in Guanzhong, Luoyang, Jianghan, Shaanxi and Linyi areas. Since the end of 1990s, a large number of Han tombs have been found in Yan ‘an area of Shaanxi Province, and many pottery stoves have been unearthed, which can be divided into glazed argillaceous red pottery stoves and painted argillaceous gray pottery stoves according to their materials (Figure 1). These pottery stoves are unique in shape, exquisitely made and have regional characteristics. The author selects some representative unpublished pottery stoves from local museums to introduce them, and discusses their types, ages, crafts and symbolic meanings contained in their patterns.

As an appliance for people to make a fire and cook food, the stove appeared as early as the early Neolithic Age and was widely used in Yangshao culture period. In the Warring States period, stoves also evolved from primitive fire pits and movable pottery stoves into fixed pots and pans, which became an indispensable daily living facility for the ancients. As a funerary model, the pottery stove first appeared in the Qin tombs in the late Warring States period in Guanzhong area. In the Han Dynasty, when the concept of "death is like life" prevailed, the pottery stove was further made into a utensil, and it was buried with the pottery barn in a complete set, which became the core of the buried pottery in the tombs of the Han Dynasty and an important carrier of people’s ideas and spiritual world in the Han Dynasty.

Fig. 1 Schematic diagram of the distribution of pottery stoves unearthed in Yan ‘an area.

Glazed argillaceous red pottery stove

1. Carve the yellow glazed green painted pottery stove with double cranes.

Unearthed in Linzhen, Baota District, Yan ‘an City in 2005. Three-eyed horseshoe. Length 23, width 22.5 and height 22 cm. The fire holes on the stove surface are distributed in the shape of "pin", and a small kettle is placed on it, and the stove kettle is separated. Put a green glazed deep-bellied retort on the right kettle, and put a small pot of red glaze and green color on the other two kettles, with a small spoon of green glaze crank in the pot, and put a small pot of red glaze and green color between two fire holes in the front row. The tail of the stove is a green glaze bottle-shaped hollow chimney. The kitchen utensils and appliances on the kitchen surface can be moved. A rectangular floor-standing fire door is opened just below the front wall of the stove. Two rows of diamond-shaped palisades are carved above the fire door with sharp tools, and a crane standing opposite each other is carved on each side. The knife method is simple and sharp. The stove is covered with yellow glaze, and the diamond pattern and crane pattern are covered with green glaze, which is very decorative (Figure 2).

Fig. 2 depicts the yellow glazed green painted pottery stove with double cranes.

2. Carve the yellow glazed green painted pottery stove with double crane sauce

Unearthed in Nanniwan Town, Baota District, Yan ‘an City in 2007. The shape is the same as the double crane stove mentioned above. Length 25, width 23.5 and height 20 cm. Kettle, basin, spoon and other utensils and hollow bottle-shaped chimney are placed on the stove surface. A diamond-shaped palindrome is carved above the stove door, and a crane standing back to back, holding its head high and looking carefree is carved on each side. The stove is covered with yellow glaze, and the diamond pattern and crane pattern are filled with green glaze (Figure 3).

Fig. 3 depicts the yellow glazed green painted pottery stove with double crane sauce.

3. Carve the pottery stove with double crane lines, yellow brown glaze and green dragon heads.

In 2006, it was unearthed in feng village, Liqu Town, Baota District, Yan ‘an City. The shape is the same as that of the upper two stoves. Length 21, width 22.5 and height 21 cm. Small kettles are placed on the fire holes of the kitchen surface, a yellow glazed deep-bellied retort is placed on the right kettle, and a yellow glazed ear cup is placed in the center of the kitchen surface. A molded dragon-headed chimney is inserted at the end of the stove, which makes the mouth scream, and the details of the dragon’s five senses and neck scales are clear. Two rows of triangular stripes are carved on the front edge of the stove and the upper edge of the front wall, and diamond stripes, triangular stripes and water ripple stripes are carved on the upper part and both sides of the fire door. On both sides of the front wall of the stove, a pair of cranes are carved, which lead their necks to sing and flap their wings to fly. The carving method is concise, skillful and infectious. Yellow-brown glaze is applied all over the stove body, and white glaze is filled with diamond, triangle, water ripple and crane pattern (Figure 4).

Figure 4 depicts the pottery stove and part of the dragon head with yellow, brown, glazed and green dragon heads with double cranes.

4. Carve the pottery stove with double-que red glaze and green dragon head.

In 2008, it was unearthed in Qingquangou Village, Daozhen Town, Ganquan County, Yan ‘an City. Muddy red pottery. Three-eyed horseshoe. Length 21, width 19 and height 20 cm. A cauldron is placed on the fire eye, with a small red glazed crank spoon in the cauldron, and a large red glazed retort is placed on the right side of the cauldron, with strings on the upper abdomen for several weeks. Place red glazed pots, red glazed green colored vials, small jars and inverted red glazed ear cups on the kitchen surface. A diamond-shaped stripe is carved on the front edge of the stove, and a molded red glazed green colored dragon chimney is inserted in the round hole at the tail of the stove. The dragon head is raised, its eyes are wide open, its mouth screams, and its shape is fierce. A rectangular hollow fire door is opened in the middle and lower part of the front wall of the stove. A pair of triangular pyramidal roof towers are carved on both sides of the fire door, and triangular patterns and grid patterns are carved on the upper part. The stove is covered with red glaze, and the pavilion and triangular pattern are outlined with green glaze, and the glaze water is bright and full. It is worth mentioning that a layer of black glaze is added to the red bottom glaze on the small kettle on the left side of the front of the stove, which is more special (Figure 5).

Fig. 5 depicts the red glazed green painted pottery stove with double que pattern and the dragon head.

5. Painted double-que sauce, red glaze and green painted pottery stove

In 2007, it was unearthed in Nanyigou Village, Daozhen Town, Ganquan County, Yan ‘an City. The shape is the same as that of the stove. Length 20, width 19 and height 16 cm. Kettle, basin, retort, jar, ladle, ear cup and bottle-shaped chimney are placed on the stove surface, and the net pattern is carved above the fire door. Red glaze is applied to the whole body of the stove, green glaze is applied to both sides of the fire door to draw simplified double-gap patterns, and green glaze is applied to the retort, jar, basin, ear cup and chimney mouth (Figure 6).

Fig. 6 Red glazed stove with green color and double que sauce.

6. Tri-color glazed pottery stove with geometric patterns

In 2004, it was unearthed in Yangquan Town, Fu County, Yan ‘an City. Muddy red pottery, horseshoe-shaped with double fire eyes. Length 17, width 19 and height 13 cm. A small kettle is placed on the fire hole of the stove surface, and two small pots are placed at the back of the stove surface. A crank spoon and a straight handle ladle are placed in the pots, and a small ear cup is inverted at the front. The kettle, pots, spoons and scoops are all painted with yellow glaze. A bottle-shaped chimney is erected at the end of the stove, with yellow glaze applied at the lower part and green glaze applied at the upper part. A rectangular hollow fire door is opened in the middle and lower part of the front wall of the stove, and grid lines are carved on both sides of the fire door and the upper part of the front wall, and diamond-shaped back lines are carved between the grid lines. The stove is glazed in three colors, red glaze is applied to the whole stove body, black glaze is applied to the grid pattern on the front wall, and green glaze is applied to the diamond pattern. Glazed pottery with double glaze color in Han dynasty is rare, and it is rare to apply red, green and black glaze colors to this stove (Figure 7).

Fig. 7 Tri-color glazed pottery stove with geometric patterns.

Two-colored argillaceous gray pottery stove

1. Moire painted pottery stove

In 2010, it was unearthed in Frontier Village, Laoshan Township, Ganquan County, Yan ‘an City. Three fire eyes rounded rectangle. Length 22.5, width 20 and height 19 cm. The fire holes on the kitchen surface are distributed in the shape of "pin", and the kitchen bottom is closed. The stove is a combination of stove and kettle. The kettle is higher than the stove surface, and the mouth edge is painted red and white for two weeks. A pot and a retort are placed on the kettle, and the mouth edge and abdomen of the pot and retort are painted in red and white. The tubular chimney is plastic at the end of the stove, which is slightly disabled. Around the kitchen surface, the flaming eye is edged with white and red colors, and a circle of moire is drawn, in which plum patterns are dotted. A hollow rectangular fire door is opened in the middle of the front wall of the stove, and the wall is decorated with red and white dots. White, blue, red and yellow moire are painted on both sides and back wall of the stove. This stove is well preserved, with complicated patterns and bright colors (Figure 8).

Fig. 8 moire painted pottery stove

2. Group crane painted pottery stoves

Unearthed in Zichang County, Yan ‘an City in 2008. Horseshoe-shaped stove with three fire eyes. Length 21, width 21 and height 22 cm. The fire eyes on the kitchen surface are distributed in the shape of "pin" The kettle and stove are separated, wherein a crank spoon is built in each kettle, and the kettle and spoon are cut by hand. The rectangular hollow fire door is opened in the middle and lower part of the front wall of the pottery stove, and the fire door and the front wall are painted with diamond, dot and stripe colors in red, white and Huang San colors respectively. The most distinctive feature of this cooker lies in the painted patterns on its side and back wall: in the cloud patterns painted with yellow, 12 cranes with different shapes and white feathers are playing with each other, either holding their heads high, standing still and looking back, or bending their necks and pecking their tails, or competing for food. The old cranes are flying with colors, and the young cranes are weak and lovely. The expression of the whole picture is rich and exaggerated, giving people infinite reverie, which can be called a masterpiece of fine arts in the Han Dynasty (Figure 9).

Fig. 9 Group of crane-painted stoves

3. Wolong-shaped painted pottery stove

In 2006, it was unearthed in Hongtugou Village, Donggou Township, Ganquan County, Yan ‘an City. The stove body was shaped into the image of a prostrate and head-held round carved Wolong, with a dragon as the stove body, a chimney with a dragon neck and a dragon head, a mouth-opening hissing shape and a broken dragon horn. The limbs are located on both sides of the stove body in a prone position, and the dragon claws are molded. Length 36, width 22.5 and height 23 cm. The three fire holes on the kitchen surface open in the back of the dragon, which are distributed in a zigzag pattern, and the kettle is integrated with the kitchen. The kettle is taller than the kitchen surface, the tail kettle is taller, and the front kettle is short. The square floor-standing fire door is opened in the middle and lower part of the front wall. The whole body of the stove is painted in white, and the "S"-shaped scales are painted in red and black. The dragon mouth, eyes and ears are painted in red, and the wings are painted in red and black on both sides of the dragon body. The stove door is bordered with red and black colors. This dragon-shaped stove is exquisitely made and ornately decorated. At present, this kind of pottery stove which shapes the stove body into the image of a carved animal has not been reported in China (Figure 10).

Figure 10 Wolong-shaped painted stove

4. Bird-patterned rectangular painted pottery stoves with feet

In 2009, it was unearthed in Guanzhuang Township, Baota District, Yan ‘an City. Three fire holes are rectangular, with a back cover and four flat square feet at the bottom. Length 28, width 24.5 and height 23 cm. The fire holes on the stove surface are distributed in the shape of "pin", and the kettle and stove are integrated, and the kettle height is higher than the stove surface. A thin cylindrical chimney is molded at the end of the stove. The rectangular fire door opens in the center of the front wall. The stove body is painted with yellow color, and the four sides of the stove surface and sides are painted with white color strips, and the geometric patterns of the strips and the fire door are painted with red. On the left side of the kitchen wall, two waterfowl are painted, both of which bend their necks and bow their heads, opening their mouths and sticking out their tongues. The former one is decorated with white and the latter with red, and the image is simple and interesting (Figure 11).

Figure 11 Rectangular painted stove with bird pattern

5. Painted pottery stoves with crane figures

Unearthed in yongningzhen, Zhidan County, Yan ‘an City in 2009. Three-eyed horseshoe. Length 22, width 19.5 and height 11 cm. Fire holes are distributed in the shape of "pin", and the kettle and stove are integrated. The kettle height is higher than the stove surface, and the left kettle is smaller. On the right side of the stove surface, the pattern of hook and ladle is printed, and a small smoke hole is opened at the tail. The floor-standing fire door is opened in the middle and lower part of the front wall of the stove. The stove body is painted with white color, the kettle mouth is painted with green color, the kettle body is painted with black color, and the edge of the stove surface is painted with black grid for a week. On both sides of the fire door on the front wall of the stove, people are painted in green robes and stand hand in hand. A tree is painted in ink in the middle of the back of the kitchen wall, and three cranes walking in the same direction are painted in black on both sides of the tree. The brushwork is concise and vivid, which is full of interest (Figure 12).

Figure 12. Painted stoves with crane figures.

6. Painted pottery stoves with figure patterns

Unearthed in Zhaoan Township, Ansai County, Yan ‘an City in 2011. The shape is similar to that of the upper focus. Length 22, width 20 and height 12.5 cm. A row of diamond-shaped palisades is embossed above the floor-standing fire door, and a que building pattern is embossed on both sides of the fire door. The stove is covered with white color, and a person is painted on the right side of the fire door, dressed in a light green robe and holding a rod. The pattern on the left side of the fire door is blurred. Draw a chalk line figure at each end of the side wall of the stove, and on the left is a man, dressed in a robe, sitting quietly. On the right is a woman sitting with a hand on her hand, and the rest of her body draws a set of cloud patterns with ink lines (Figure 13).

Figure 1. Three-character painted stoves

7. Cloudy painted pottery stoves

Unearthed in Gao Qiao Township, Ansai County, Yan ‘an City in 2010. Muddy gray pottery, the shape is the same as above. Length 23, width 20 and height 10 cm. The whole body of the stove is painted with white color, and the upper part of the four walls is marked with red and black colors, and the bottom is painted with lotus petals for a week. In the middle, six groups of cloud patterns are painted with red and green colors, with bright colors (Figure 14).

Fig. 14 Moire pattern painting stove

Regional characteristics and age of ceramic stoves in San ‘an.

From the above introduction and the information currently available, it can be seen that the pottery stoves unearthed in Yan ‘an area of northern Shaanxi mainly include glazed pottery and gray pottery, among which glazed pottery stoves account for a certain proportion, with red and yellow warm glazes as the main glaze colors, and green glazes are rare, and the rich multicolor glazes are a major feature, and even three-color glazes appear, which is rare in other areas. These glazed pottery stoves are relatively simple in shape, with horseshoe-shaped stoves as the bulk, and the three fire holes on the stove surface are mostly in the shape of "pin", and a few are side by side. There are two kinds of fire doors: floor type and hollow type, with hollow type as the main one. The stove and kettle are multi-split. All kinds of kitchenware models on the kitchen surface are rich in variety and complete in configuration, including retort, basin, plate, jar, bottle, ladle, spoon and ear cup, and most of them can be moved, which is a true portrayal of real life, which is rarely seen in other regions and presents distinctive local characteristics.

There are a large number of gray pottery stoves unearthed in Yan ‘an. Except for a few square stoves and irregular stoves, like glazed pottery stoves, their shapes are mainly horseshoe-shaped, but most of them are connected with stoves and kettles. Fire doors are mainly floor-mounted Developed painting is a remarkable feature of Yan ‘an Han Dynasty gray pottery stove, with bright colors and complicated patterns, especially the painting of animals and figures on the pottery stove, which has its own characteristics, while the practice of molding the pottery stove into a whole round carving animal is only seen in China.

The distinctive regional characteristics of the above pottery stoves should be related to the special geographical location of Yan’ an. Yan ‘an is located in the south of northern Shaanxi, bordering Hetao in the north and Guanzhong in the south. Since ancient times, it has been a place where the northern grassland culture and the farming culture of the Central Plains are integrated. By the Qin and Han Dynasties, Yan ‘an was a county jurisdiction and became a transitional zone connecting the northern frontier and the imperial ruling center. The combination of advanced production technology and ideas in the mainland with the original local cultural traditions has formed a unique cultural phenomenon here. These Han Dynasty pottery stoves unearthed in Yan ‘an area are unique in shape, novel in decoration and distinctive in regional characteristics, which should be the concrete embodiment of this cultural phenomenon.

Because this batch of pottery stoves were handed in or collected after being unearthed in people’s production activities, most of the tomb information is missing, so their age is mainly judged according to the shape, decorative characteristics and some of the same artifacts. Judging from the shape of the pottery stoves in Yan’ an area, horseshoe-shaped stoves are the main ones, and three fire holes are distributed in the shape of "pin" on the stove surface. This shape of pottery stoves was mainly popular in the early and middle Western Han Dynasty in Guanzhong area. In particular, the colorful painted pottery stoves with group crane patterns introduced above have the same length and width and a small aspect ratio, which are even consistent with those of the Qin Dynasty pottery stoves in Guanzhong area. The age may be as early as the end of Qin Dynasty and the beginning of Han Dynasty, and may enter the early Western Han Dynasty due to the lag of cultural communication. From the point of view of decoration, the proportion of glazed pottery in Yan ‘an area is high, while the popularity of glazed pottery in Guanzhong area is earlier than that in the middle of Western Han Dynasty, and because of the lag of cultural communication, the popularity of glazed pottery in Yan ‘an area has at least entered the middle and late Western Han Dynasty. In addition, various kitchenware models are popular on Yan ‘an glazed pottery stoves, and similar practices are mainly popular in Guanzhong area from the late Western Han Dynasty to the Xinmang period. The difference is that Guanzhong pottery stoves directly print kitchenware on the stoves instead of placing model kitchenware. This difference is caused by different regions, and their ages should be similar. From the perspective of the same artifacts, in Yan ‘an area, there are mainly artifacts with the basic combination of ding, pot-like bronze wares, warehouse and stove models, cans, bottles, lamps, fuming stoves and other daily necessities, but there are no common artifacts after the Eastern Han Dynasty, such as wells, toilets, buildings, figurines, pigsty and millstones. The main popular age of this combination should be from the middle and late Western Han Dynasty to the Xinmang period. As can be seen from the above analysis,Tao Zao in Yan ‘an area appeared in the early Western Han Dynasty, and was popular in the middle and late Western Han Dynasty. It may disappear around Xinmang at the latest.

Production, decoration technology and artistic features

(a) the production process

According to the author’s observation, Yan ‘an Han dynasty pottery stoves were made by using block molding, bonding, kneading, wheel making, knife cutting and other technologies. For this horseshoe-shaped, rectangular hollow three-dimensional stove and the Wolong-shaped pottery stove described above, because of its complex structure, it is impossible to form it at one time. Instead, it is necessary to use a special mold to make mud blanks of various parts of the pottery stove in blocks, and then combine and bond them. Some kitchen accessories are also molded, such as dragon-shaped chimneys, ear cups and small scoops. The kneading technique is applied to some small kitchen utensils on the stove, such as small plates, pots and crank spoons on glazed pottery stoves. And those larger pots, retort, cans and chimneys have obvious marks of wheel system, which should be made of wheel system. Knife-cutting technology is a major feature of the production of pottery figurines in the Han Dynasty in northern Shaanxi, and it is also reflected in the production of pottery stoves in this area. For example, the production of the kettle and crank spoon in the painted pottery stoves with crane patterns described above is a combination of kneading and knife-cutting techniques. First, the rough shape is kneaded, and then the shape is trimmed and shaped by knife cutting.

(2) Decoration technology

Yan ‘an Han Dynasty pottery stoves are rich in decorative techniques, including glazing, painting, carving, sculpture, stamping and so on. Especially in the decoration of glazed pottery stoves, advanced decoration techniques such as monochrome glaze, multi-color glaze, carved glaze filling and overlapping glaze painting are used, which are rich in color and strong in contrast, and the decoration effect is refreshing, making them a masterpiece of glazed pottery products in Han Dynasty. The glaze application technology of multi-color glaze is the biggest feature of glazed pottery production in Yan ‘an area, that is, two or more glaze colors are applied to a pottery at the same time, which represents the highest level of glaze application technology of glazed pottery in Han Dynasty. This decorative technique has also been fully used in the production of glazed pottery stoves. There are not only two-color glazes, but also three glaze colors of red, green and black applied to an object at the same time, which has become a veritable "three colors of Chinese". Carving and filling glaze refers to carving patterns first, and then filling them with glaze, which has a strong contrast and prominent theme, such as the crane pattern and geometric pattern decoration in the double crane pattern stove introduced above, which may be inspired by the bronze mosaic technology. Overlapping glaze painting refers to the decorative method of drawing various patterns and ornamentation on warm bottom glaze with green decorative glaze, such as red glaze and green double-que pattern stove, and double-que and grid pattern drawn with green glaze on sauce red bottom glaze, which has great color contrast and good decorative effect. Painting is the main decorative technique of Yan’ an Han dynasty gray pottery stoves. On the one hand, these paintings are exquisite in decoration and rich in content, including cloud patterns, animal patterns, geometric patterns and figure patterns. On the other hand, it is colorful and varied, including red, white, black, yellow, green and blue. Some directly paint patterns on the clay tires, such as the above-mentioned pottery stoves 1 and 2. Others apply white color all over the body first,Then paint on the white color, such as gray pottery stove 3, stove 5 to stove 7, whose exquisite richness is rare in other areas.

(3) Artistic features

The combination of realism and virtuality is one of the artistic features of Yan ‘an Han Dynasty pottery stoves. Most of the glazed pottery stoves here are equipped with a complete set of kitchen utensils, such as kettle, retort, basin, jar, spoon and ear cup, which can reach as many as ten pieces at most, and the richness is beyond imagination. These utensils, regardless of their size, are accurate in shape and exquisite in manufacture. They are completely true imitations of cookers and kitchenware in real life, allowing us to see the configuration and combination of Han kitchenware, and the application of multicolor glaze decoration makes them a rare ancient miniature art. While being realistic, depicting the images of cranes and Quelou on both sides of the stove door should not be a simple description of the real world, but it has special ideological significance as the virtual practice of shaping the pottery stove chimney into a dragon’s head.

The coexistence of roughness and delicacy is another artistic feature of Yan ‘an Han Dynasty pottery stove. Using a knife instead of a pen, the grid pattern, diamond pattern, triangle pattern and crane pattern are carved on the wall of the glazed pottery stove. The knife method is vigorous and sharp, and the carved cranes have different shapes, or they are screaming or flapping their wings, and the picture is concise and powerful, which is extremely infectious. On the other hand, the clouds, figures and cranes on the painted pottery stove have smooth lines, delicate descriptions and vivid images.

Imagination and exaggeration are another artistic feature of Yan ‘an Han Dynasty pottery stoves. For example, the painted group of crane-patterned pottery stoves painted 12 cranes with different shapes and sizes on the narrow kitchen wall are full of interest and imagination. The description of the shape of the crane is bold and exaggerated, focusing on the slender and curved neck of the crane, which provides important information for us to study the painting level and skills of the Han Dynasty. The Wolong-shaped painted pottery stove introduced in the above article is even more imaginative in shaping a daily appliance into a round carved beast and applying exquisite painting, which is amazing.

The Meaning of Double Que Pattern and Crane Pattern on Five Pottery Stove

A pair of que Lou patterns are often carved, painted or embossed on both sides of the fire doors of glazed pottery stoves and gray pottery stoves unearthed in Yan ‘an, which is very rare in other areas. Quelou is a high-rise building located on both sides of the gate of an important building in ancient China. It is a sign of the gate. It should imply some special symbolic significance to depict it on both sides of the fire gate of the pottery stove. The Han Dynasty portrait bricks unearthed in Henan and the portrait sarcophagus found in Sichuan and Chongqing often show the double que pattern, and most of them coexist with the auspicious animals such as cranes, phoenixes and four gods, the sun, the moon, Fuxi, Nuwa and the Queen Mother of the West, and their images are similar to the double que on Yan ‘an pottery stoves. Some scholars believe that these double-que patterns are the "Tianmen" symbols leading to the fairy palace and the only way for the tomb owner to ascend to heaven and become immortal. The double-que pattern on the right wall of No.3 sarcophagus unearthed from Hanya Tomb in Guitou, Shandong Province, Jianyang County, Sichuan Province provides an important basis for this speculation. A single-eave double-que door is carved on the sarcophagus, and there is a person standing under the door. The word "Tianmen" is listed above the lintel, and the door with double-que is clearly called Tianmen. In the same way, the double que and rectangular fire gate on both sides of the fire gate of the pottery stove in Yan ‘an Han Dynasty and the geometric patterns above them together constitute the image of "Tianmen", which becomes the entrance for the tomb owner to ascend to heaven and become immortal. The soul of the tomb owner enters through the fire gate depicting the que building and turns into curled smoke rising from the chimney with the dragon head and flying to the fairy palace.

Crane pattern is also a more common image on Yan ‘an pottery stove, which is located in the same position as Shuangque pattern or on the side wall of the stove. In China’s Taoist thought, cranes are sacred objects in the celestial world, and immortals travel in the sky with cranes. Legend of the Immortals says, "Wang Ziqiao, Prince Jin Ye of Zhou Lingwang, a good blowing sheng, worked as Fengming, and traveled between Ilo, where Taoist Fuqiu was connected to Songshan. More than ten years later, I came to the mountain and told Huan Liang: Tell my family, and wait for the solution of Gou’s hill on July 7. If you take a white crane to the top of the mountain, you can’t see it. When you raise your hand, you will leave. " This record shows that the image of a crane as a fairy riding a sacred object appeared in the Han Dynasty. In the picture of immortalization in the Han Dynasty, tomb owners often use supernatural objects to ascend. In addition to the common dragon carts, fish carts and deer carts, cranes are also important carriers of immortalization. Found in the M1 mural of the mural tomb of the Eastern Han Dynasty near Yangqiao, Jingbian County, northern Shaanxi Province, there is an image of immortals soaring by cranes (Figure 15); In addition, the mural tomb M1 of Han Dynasty in Haotan, Dingbian County, northern Shaanxi Province is also painted with an image of a pair of immortals driving cranes to escort the tomb owner to Tianmen. It is the dream of the Han people to fly to immortality after death. The contents of the murals in the above two Han tombs are the same. The method of depicting the crane pattern on the pottery stove reflects the tomb owner’s desire to fly the crane to immortality from another aspect.

Fig.15 A painting by a fairy in Hebi, M1 of the Eastern Han Tomb beside Yangqiao, Jingbian County, Shaanxi Province.

The practice of decorating que Lou, crane and dragon-headed chimney on pottery stoves in Yan ‘an area reflects the good wish of Han people to ascend to heaven after death, and is the embodiment of Taoist immortal thought in local funeral customs. In addition, Quelou, crane design and dragon-headed chimney, three decorative themes closely related to the idea of immortalization, appeared on the pottery stove at the same time, but rarely appeared on other types of funerary objects such as pottery warehouses and bottles. This difference reflects the particularity of the pottery stove in the system of funerary objects in this area, and it is likely to be an important carrier of the idea of immortalization, which is not seen in other areas.

(This article was originally published in the Journal of the National Museum of China, No.4, 2019, by the School of Cultural Heritage of Northwest University)

The new Dongfeng Honda CR-V configuration was exposed on September 28th.

  [car home Information] A few days ago, we learned a set of brand-new (|) partial configurations. The new car will be officially launched on September 28th, and it will be the first to launch a fuel version with a 1.5T engine. The e:HEV hybrid and e:PHEV plug-in hybrid models will be launched in 2023.

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

Home of the car

Home of the car

  In terms of appearance, the new car has changed into the latest design style of the family. The horizontal LED daytime running lights and slender headlights are very eye-catching, and they have the function of adaptive far and near lights. With the inverted trapezoidal black air intake grille, the whole is younger and more sporty. In addition, the fuel version will provide five body colors, including the newly added star blue and red flame.

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

  When you come to the car side, the exterior rearview mirror of the new car will be equipped at the door position, which can help reduce the blind spot of sight. In terms of body size, its length, width and height are 4703/1866/1680mm and its wheelbase is 2701mm respectively. In addition, the height and wheelbase of the four-wheel drive model are 1690mm and 2700mm respectively. In addition, the new car will also provide 17-inch, 18-inch and 19-inch rims for consumers to choose from.

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

Home of the car

Home of the car

Home of the car

  On the tail side, the new car continues to use the classic double L-shaped taillights, with the exhaust layout of two sides below, which is highly recognizable. In addition, the new car also upgraded Honda SENSING’s safety extrasensory driving assistance function, and added five millimeter-wave radars based on the monocular camera to realize 360 sensing.

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

Home of the car

Home of the car

  In terms of interior, the new CR-V is somewhat similar to the interior of the new Civic, and the center console is decorated with a through air conditioning outlet. In terms of configuration, the new car provides a 10.1-inch suspended central control panel with built-in AR real-life navigation, a new standard 10 airbags, 12 speakers of BOSE brand, HUD head-up display, streaming rearview mirror, front seat heating, ventilation, steering wheel heating and wireless charging of mobile phones. At the same time, the new car will also provide a 5-seat /7-seat seat layout for consumers to choose from.

Dongfeng Honda Honda CR-V 2023 240TURBO two-wheel drive 7 seats

Home of the car

Home of the car

  In terms of power, the fuel version is equipped with a 1.5T turbocharged engine, with a maximum power of 193 HP (142kW) and a maximum torque of 243 Nm. The transmission system will match the CVT gearbox, and front-wheel drive and four-wheel drive versions will be provided. In the future, the new car will also launch a hybrid version, which adopts a 2.0L fourth-generation dual-motor hybrid system, equipped with a 2.0Li-VTEC engine and two motors, with a comprehensive power of 207 HP (152 kW) and a maximum torque of 335 Nm. (Text/car home Guo Chen)

Which is better, Pentium T77 or Pentium Pony Engine?

Pentium T77 is equipped with a 1.5T turbocharged engine, with a maximum power of 169HP and a peak torque of 258Nm, which is matched with a 7-speed wet dual-clutch gearbox. This engine not only performs well in power output, but also has satisfactory fuel economy. According to official data, the comprehensive fuel consumption is only 6.8L/100km, which gives consideration to both performance and economy.

In contrast, the Pentium Pony uses a 1.2T turbocharged engine with a maximum power of 116 HP and a peak torque of 185 Nm, matching a 6-speed manual or 7-speed dual-clutch gearbox. This small displacement engine has good responsiveness at low speed and is suitable for urban driving. The official fuel consumption data is 5.8L/100km, showing excellent fuel economy.

In terms of power performance, the 1.5T engine of Pentium T77 is undoubtedly more powerful, which is suitable for consumers who pursue driving pleasure. The 1.2T engine of Pentium Pony is good at economy, which is more suitable for daily commuting. Both have their own strengths, and consumers can choose according to their own needs.

In terms of technology, turbocharging technology is adopted in both engines, and the 1.5T engine of Pentium T77 is also equipped with in-cylinder direct injection technology to improve fuel efficiency. Pentium Pony’s 1.2T engine achieved the dual goals of low fuel consumption and low emissions by optimizing the combustion chamber design.

Considering the power performance, fuel economy and technical characteristics, the engines of Pentium T77 and Pentium Pony have their own advantages and meet the needs of different consumers.

I suggest you test drive these two cars yourself, feel their actual performance and differences, and then make decisions according to your own feelings and needs.

"The Lighter and the Princess Dress" started. Chen Feiyu Zhang Jingyi scored a sweet sadomasochism chapter.

1905 movie network news On September 29th, the opening ceremony of the youth urban emotional drama Lighter and Princess Dress, which was adapted from Twentine’s novel of the same name, was held. Chen Feiyu, Zhang Jingyi, Zhao Zhiwei, Jenny Zeng, Cui Yuxin, Qian Didi, Jiang Zixin and many other actors were pleasantly surprised, and a story about growing love began.

Chen Feiyu


High-value flower surprise cooperation

Mature team escort youth strength


Since the film and television project "Lighter and Princess Dress" was launched, it has attracted much attention. In casting, Li Kun, played by Chen Feiyu, is highly compatible with Chen Feiyu himself, both in terms of appearance conditions and juvenile spirit, and has received bursts of praise; Zhang Jingyi, the actor of Zhu Yun, won strong support from fans with her gentle temperament and good acting skills. In addition, except Chen Feiyu and Zhang Jingyi, who have been officially announced a few days ago, all other actors appeared at the opening ceremony, and the new lineup caused countless expectations. Among them, both Gao Jianhong, played by Zhao Zhiwei, and Jenny Zeng, played by Ren Di, surprised netizens with their excellent appearance and adaptive temperament.


In addition to starring off-site, at the launching ceremony, the chief producer Dunqi, director Liu Junjie, screenwriter Zhou Yong, co-director Ma Weiwei, producer Luo Yuanyuan, executive producer Wu Jinglin and Hu Xiao also attended the launching ceremony, and even delivered speeches. They said that Lighter and Princess Dress, as a masterpiece of T, won the love of many fans, and as a professional team, it will certainly create a film.

Zhang jingyi


With the development of IP film and television, the audience’s aesthetic requirements for film and television dramas are rising day by day. As the first film and television IP of T University, Lighter and Princess Dress has become the focus of attention of countless fans in grasping the degree of restoration and film and television innovation. It is worth mentioning that in order to ensure the quality of the works, the drama side is more cautious in choosing the main creative team. In terms of script, the playwright Zhou Yinglong, who has adapted excellent works such as Thank You Doctor and Spring Breeze is not as good as you in ten miles, was invited to create and control the play. The director Liu Junjie has even directed such hot TV dramas as Why Shengxiao Mo and Here comes Shanshan, and the Huang Wei team, who has worked as a costume designer in the films Tiny Times series and Qing Ya Ji, is responsible for the modeling. Such a creative team and team will undoubtedly add confidence to the film and television of Lighter and Princess Dress.

Zhang Jingyi, Chen Feiyu


Sweet and abusive disputes grow up together.

Extreme personal design creates different romance.


"Lighter and Princess Skirt" tells the story that after Li Yi and Zhu Yun, who grew up in different family backgrounds, became classmates, Li Yi’s arrogance wantonly attracted Zhu Yun, who yearned for freedom because of strict family education. They fought side by side again and again, attracting each other and supporting each other, but all the beauty came to an abrupt end because of an accident. Subsequently, after the growth and transformation, the two men once again joined hands to break into the tide of Internet entrepreneurship. From the young campus to the workplace, it is the princess and the knight. Zhu Yun cured Li Yi’s unknown pain with love; It is the king who leads the way, and Li Yi lights up the direction of Zhu Yun’s dream with affection.

Zhao Zhiwei, Jenny Zeng, Cui Yuxin, Qian Didi, Jiang Zixin

Healing with love, companionship with heart, persistence in chasing dreams and firmness in romantic peers have made the best love. The drama shows a positive view of love, which is touching. Different from the romantic and dreamy atmosphere created by the current romance market, Lighter and Princess Dress tells the love story of two people, and it is based on digging deep into the different growth aspects of the characters. Whether it is Li Yi’s insistence on never looking back or Zhu Yun’s courage to pursue her dreams, it is thought-provoking.


It is reported that "Lighter and Princess Dress" is expected to be finished in February next year and will meet the audience within next year.


Nanhai people must see when they travel! Pay attention to avoid the top ten congested sections in the evening rush hour →

A few days ago, in July 2022, a brief report on the analysis of road traffic operation in Nanhai District was released.What is the speed of the morning rush hour and evening rush hour in Nanhai District? Which roads are the most congested? Which bus lines are the hottest?Let’s take a look!

Road traffic operation

Overall operation of the whole region

In July 2022, the traffic in Nanhai District was running smoothly. The average traffic operation index in the morning and evening peak hours on weekdays is 5.02, down 15.2% from the previous month, and the road operation is improving. Among them, the morning peak operation index was 4.45, down 14.3% month-on-month, which was at the low value of "mild congestion", and the evening peak operation index was 5.58, down 16.1% month-on-month, and dropped to the "mild congestion" range.

Curve of peak traffic operation index value in the morning and evening of July 2022 in Nanhai District.

On the working day in July, 2022, the average peak speed in Nanhai District was 33.3km/h, up 1.8% from the previous month. The average speed increased slightly during the peak period. The average speed of the morning peak is 34.8km/h and the average speed of the evening peak is 31.8km/h this month.

Running speed of peak roads in the morning and evening of July 2022 in Nanhai District (unit km/h).

Top ten congested roads

At the peak of the weekday evening in July 2022, the east-west running speed of Ji Hua East Road was only 10.3km/h, and the road congestion index reached 10.0. The rest of the congested roads are shown in the table below:

Top Ten Congestion Roads in Nanhai District in the evening of July, 2022.

Regular bus operation

Overall passenger traffic

Changes of passenger volume of conventional public transport in Nanhai District in July 2022 (unit: 10,000 passengers/day).

In July 2022, the total number of bus passengers in the whole region was 278,000 passengers/day. Among them, the average daily passenger traffic of the red bus line (regional bus) is 164,000 passengers, and the average daily passenger traffic of the yellow-green bus (cross-regional bus) is 86,000 passengers.

Line passenger traffic TOP20

The average daily passenger traffic of Nanhai District in July 2022 was TOP20.

In July, 2022, the highest passenger traffic in Nanhai District was Li 07 Road, with an average daily passenger traffic of 12,451 passengers, much higher than other routes in Nanhai District.

TOP20 of the number of passengers on the site

In July, 2022, the average daily passenger load of conventional bus stops in Nanhai District was Top20.

In July 2022, the top three bus stops in Nanhai District were Xunfenggang Bus Station, Foshan West Station Bus Station and Xintiandi Square Bus Station.

Work of "Smooth Traffic Project" in Nanhai District

In order to solve the urban traffic congestion problem strongly reflected by the people and create a first-class business environment, the Nanhai District Party Committee and the district government actively responded to the implementation of the urban "unblocked project", and all departments kept a close eye on the task objectives and solidly promoted the implementation of various tasks. As of July 31, the transportation departments in Nanhai District have continued to promote the management of traffic congestion points and get through the work of "broken roads", and made progress in stages, as follows:

Traffic congestion point management

In 2022, the total task of blocking point control in Nanhai District was 25, and at present, 8 have been completed, with an overall completion rate of 32%.On the basis of promoting the implementation of the above 25 blocking points, the transportation department of Nanhai District also cooperated with the traffic police, Zhenjie and other relevant units to carry out eight comprehensive traffic management projects around Denghu Middle School, Vanke Jinyu Central and Songtang Village, and carried out comprehensive traffic management by means of channelization of intersections, optimization of bus operation services, and improvement of slow-moving systems, so as to continuously improve and upgrade the traffic operation environment in Nanhai District.

Completion of blocking point control task of "unblocked project" in Nanhai district.

Get through the "dead end"

In 2022, Nanhai District plans to complete four "broken roads" opening projects, and currently three projects have been opened:Jade South Street (Wudou Road-Dayi West Road) was completed and opened to traffic, and the integration level of production and city in the area was significantly improved; The Guangfo Jiangzhu expressway tunnel project of Guangfo Shinkansen was successfully connected, which promoted the intercommunication between Guangfo and Shuangcheng. Huacheng Road (Yihai Road to Ji Hua East Road) municipal engineering has completed the opening of the main bridge;The tunnel project of Huandao South Road (Ji Hua Laboratory) is 90% completed..

Get through the completion of the "broken road" task.

Construction of bicycle and electric bicycle lanes

In 2022, the construction and upgrading task of Nanhai District will be 240 kilometers. As of July 25th, 39 projects with a mileage of 109 kilometers have been completed in the whole region..

Completion of the task of building bicycle and electric bicycle lanes.

Traffic Operation Analysis of Foshan First Ring Road-Haiba Road Node

Foshan 1st Ring Road-Haiba Road node is located in the core area of Qiandeng Lake area in Guicheng, the gateway of bridgehead in Guangzhou-Foshan city, where high-speed and expressway intersect. The three-layer interchange structure and the intersection of ground auxiliary roads undertake the function of peripheral traffic distribution and conversion services. The space under the bridge is complex and the road traffic infrastructure conditions are tight. During the peak period, there is a great traffic demand in all directions, and the traffic congestion in the east, south and north directions is serious. The queue at the south entrance is over 1km, and the node congestion lasts for 6-7 hours all day. Node congestion causes contiguous congestion in surrounding areas, and long-term congestion has caused strong public reaction.

Traffic congestion status map of Foshan 1st Ring Road-Haiba Road node.

In view of the above problems, Nanhai District Transportation Bureau hosted a plan coordination meeting, at which it was unanimously agreed to comprehensively improve the intersection from four aspects: "regional road network traffic diversion, bottleneck traffic organization optimization, node time and space integration tapping potential, and slow service improvement".

The meeting made it clear that Guicheng Street should optimize and adjust the design scheme of space utilization at the bottom of the bridge in combination with the traffic improvement scheme at the intersection of Foshan First Ring Road and Haiba Road Bridge.The access road area and the bridge bottom area should give priority to ensuring the traffic space demand., the remaining space can be used for the space utilization project under the bridge, and Guicheng Street furtherOptimize the design scheme of the parking lot under the bridgeTo ensure that the vehicles entering and leaving do not interfere with the normal operation order of the intersection.

The meeting made it clear that Guicheng Street closely integrated the traffic improvement project at the intersection of Foshan First Ring Road and Haiba Road Bridge with the space utilization project at the bridge bottom.Improve intersection capacity and bridge bottom landscape..

Forward it quickly and tell the friends who drive!

Source: Zhujiang Times, Nanhai District Transportation Bureau

Today (November 20), the latest news of the conflict situation between Russia and Ukraine: Russia said that the Ukrainian army used American-made missiles to launch attacks, and Ukraine said that it w

  Russia says Ukrainian troops use American-made missiles to launch attacks, and Ukraine says it will mass-produce missiles and long-range drones.

  Xinhua News Agency, Moscow/Kiev, November 19 (Reporter Li Dongxu, Yellow River) The Russian Defense Ministry announced on the 19th that at 3: 25 a.m. local time, the Oblast oblast was attacked by six American-made missiles of the Ukrainian army. On the same day, Ukrainian President Zelensky said that Ukraine will produce at least 3,000 missiles and 30,000 long-range drones next year.

  The Russian Defense Ministry reported that it was confirmed that Uzbekistan used the American Army Tactical Missile System (ATACMS). All six missiles were intercepted by the Russian air defense system, and the missile fragments fell into a military area in Bryansk State, and the fire caused was quickly extinguished. The Russian Defense Ministry said that the attack did not cause casualties.

  In addition, peskov, press secretary of Russian President, said in an interview with the media on the new version of the Basic Policy of the Russian Federation on Nuclear Deterrence that Russia always regards nuclear weapons as a means of deterrence, and its use is limited to "extreme and compelling circumstances".

  Peskov said that opponents should understand that aggression against Russia and its allies will inevitably be retaliated, which is the purpose of nuclear deterrence. Russia has always held a responsible position and made efforts to reduce the nuclear threat and avoid further deterioration of international relations. He said that this update of the nuclear policy is necessary to make the policy content conform to the current political situation.

  Ukrainian President Zelensky said in a speech at the Verkhovna Rada (Parliament) that Ukraine will produce at least 3,000 missiles and 30,000 long-range unmanned aerial vehicles in 2025, the Interfax news agency of Ukraine reported on the 19th. He stressed that even without nuclear weapons, Ukraine can find conventional deterrent tools and will provide reliable financial support for weapons production.

  On the 19th, the Ukrainian State Emergency Bureau posted on social media that the dormitory building of an educational institution in Gluchow Wo, Sumei, which is located on the Ukrainian-Russian border, was attacked by Russian drones late at night on the 18th, killing 11 people and injuring 11 others. Search and rescue work is still in progress.

  On the same day, the Ukrainian Air Force posted on social media that from the evening of the 18th to the early morning of the 19th, Russian troops launched 87 attack drones into Ukraine from Kursk, Oreol and Crimea.

Original title: Russia said that the Ukrainian army used American-made missiles to launch attacks. Ukraine said that it would mass produce missiles and long-range drones.
Editor in charge: Zeng Shaolin